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Original Articles

The Bitter-Sweet Labor of Emoting: The Linguistic Comparison of Writers and Physicists

Pages 191-197 | Published online: 08 Jun 2010

Keep up to date with the latest research on this topic with citation updates for this article.

Read on this site (8)

Aleksandra Jasielska. (2019) The Representation of Models of Emotion in Damien Hirst's Works of Art. Critical Arts 33:1, pages 15-29.
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David M. Harrington & Christina S. Chin-Newman. (2017) Conscious Motivations of Adolescent Visual Artists and Creative Writers: Similarities and Differences. Creativity Research Journal 29:4, pages 442-451.
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Stephen Skalicky, Scott A. Crossley, Danielle S. McNamara & Kasia Muldner. (2017) Identifying Creativity During Problem Solving Using Linguistic Features. Creativity Research Journal 29:4, pages 343-353.
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RaymondA. Mar, Keith Oatley, Maja Djikic & Justin Mullin. (2011) Emotion and narrative fiction: Interactive influences before, during, and after reading. Cognition and Emotion 25:5, pages 818-833.
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Paula Thomson, E. B. Keehn & ThomasP. Gumpel. (2009) Generators and Interpretors in a Performing Arts Population: Dissociation, Trauma, Fantasy Proneness, and Affective States. Creativity Research Journal 21:1, pages 72-91.
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Maja Djikic, Keith Oatley, Sara Zoeterman & JordanB. Peterson. (2009) On Being Moved by Art: How Reading Fiction Transforms the Self. Creativity Research Journal 21:1, pages 24-29.
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AlexS. Cohen, KyleS. Minor, LaurenE. Baillie & AmandaM. Dahir. (2008) Clarifying the Linguistic Signature: Measuring Personality From Natural Speech. Journal of Personality Assessment 90:6, pages 559-563.
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Articles from other publishers (32)

. 2023. Creativity. Creativity 509 580 .
Cecilia Lao, Jo Lane & Hanna Suominen. (2022) Analyzing Suicide Risk From Linguistic Features in Social Media: Evaluation Study. JMIR Formative Research 6:8, pages e35563.
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Jennifer Rae Myers, Nancy Pearl Solomon, Rael T. Lange, Louis M. French, Sara M. Lippa, Tracey A. Brickell, Shelby Staines, Jenna Nelson, Doug S. Brungart & Carl A. Coelho. (2022) Analysis of Discourse Production to Assess Cognitive Communication Deficits Following Mild Traumatic Brain Injury With and Without Posttraumatic Stress. American Journal of Speech-Language Pathology 31:1, pages 84-98.
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Sana Tariq Ahmed & Gregory J. Feist. (2021) The Language of Creativity: Validating Linguistic Analysis to Assess Creative Scientists and Artists. Frontiers in Psychology 12.
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Keith Oatley & Jennifer M. Jenkins. (2021) Art as Expression of Emotion Explored in Anna Karenina . Interdisciplinary Literary Studies 23:2, pages 190-203.
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Keith Oatley & Maja Djikic. (2018) Psychology of Narrative Art. Review of General Psychology 22:2, pages 161-168.
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Ralph James Savarese. 2018. See It Feelingly. See It Feelingly 247 260 .
Ralph James Savarese. 2018. See It Feelingly. See It Feelingly 197 245 .
Ralph James Savarese. 2018. See It Feelingly. See It Feelingly 191 195 .
Ralph James Savarese. 2018. See It Feelingly. See It Feelingly 155 190 .
Ralph James Savarese. 2018. See It Feelingly. See It Feelingly 122 154 .
Ralph James Savarese. 2018. See It Feelingly. See It Feelingly 86 121 .
Ralph James Savarese. 2018. See It Feelingly. See It Feelingly 57 85 .
Ralph James Savarese. 2018. See It Feelingly. See It Feelingly 23 56 .
Ralph James Savarese. 2018. See It Feelingly. See It Feelingly 1 13 .
Keith Oatley & Maja Djikic. 2017. The Cambridge Handbook of Creativity across Domains. The Cambridge Handbook of Creativity across Domains 63 79 .
Winfried Menninghaus, Valentin Wagner, Julian Hanich, Eugen Wassiliwizky, Thomas Jacobsen & Stefan Koelsch. (2017) Negative emotions in art reception: Refining theoretical assumptions and adding variables to the Distancing-Embracing model. Behavioral and Brain Sciences 40.
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Keith Oatley. (2017) Art as emotional exploration. Behavioral and Brain Sciences 40.
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Fabian B. Wadsworth, Jérémie Vasseur & David E. Damby. (2016) Evolution of Vocabulary in the Poetry of Sylvia Plath. Digital Scholarship in the Humanities, pages fqw026.
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Aleksandra Jasielska. (2015) The psycholinguistic world of “zdziwienie” - “astonishment” and “zaskoczenie” - “surprise”. Polish Psychological Bulletin 46:3, pages 384-392.
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Theanna Bischoff & Joan Peskin. (2014) Do fiction writers have superior perspective taking ability?. Scientific Study of Literature 4:2, pages 125-149.
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Maja Djikic & Keith Oatley. 2014. Creativity and Mental Illness. Creativity and Mental Illness 281 294 .
Melanie L. Beaussart, Arielle E. White, Adam Pullaro & James C. Kaufman. 2014. Creativity and Mental Illness. Creativity and Mental Illness 42 59 .
John J. Skowronski, W. Richard Walker, Dawn X. Henderson & Gary D. Bond. 2014. 163 218 .
. 2014. Creativity. Creativity 429 484 .
Keith Oatley. (2013) Worlds of the possible. Pragmatics & Cognition Pragmatics and Cognition 21:3, pages 448-468.
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Darby E. Saxbe, Xiao-Fei Yang, Larissa A. Borofsky & Mary Helen Immordino-Yang. (2013) The embodiment of emotion: language use during the feeling of social emotions predicts cortical somatosensory activity. Social Cognitive and Affective Neuroscience 8:7, pages 806-812.
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Keith Oatley. 2011. Such Stuff as Dreams. Such Stuff as Dreams 239 262 .
Paul J. Silvia & James C. Kaufman. 2012. The Cambridge Handbook of Creativity. The Cambridge Handbook of Creativity 381 394 .
A. Piolat & R. Bannour. (2010) Effets de l’expression écrite d’un événement positif et négatif sur le niveau d’anxiété d’étudiants de différentes disciplines. Psychologie Française 55:1, pages 1-23.
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Maja Djikic, Keith Oatley, Sara Zoeterman & Jordan B. Peterson. (2009) Defenseless against art? Impact of reading fiction on emotion in avoidantly attached individuals. Journal of Research in Personality 43:1, pages 14-17.
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Keith OatleyMaja Djikic. (2008) Writing as Thinking. Review of General Psychology 12:1, pages 9-27.
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