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Multivariate Behavioral Research Volume 7, 1972 - Issue 4
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Original Articles

A MULTIVARIATE MODEL OF SYNESTHESIA

RICHARD S. LEHMAN
Pages 403-439 | Published online: 10 Jun 2010

Citations (11)

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FRODE SVARTDAL & BARBRO FOSSLAND. (1988) Synestesi. Nordisk Psykologi 40:1, pages 48-63.
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Articles from other publishers (10)

Charles Spence. (2022) Exploring Group Differences in the Crossmodal Correspondences. Multisensory Research 35:6, pages 495-536.
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Charles Spence. (2020) Assessing the Role of Emotional Mediation in Explaining Crossmodal Correspondences Involving Musical Stimuli. Multisensory Research 33:1, pages 1-29.
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Cho Tse & Calvin Yu. (2018) The Effects of Visual Cues, Blindfolding, Synesthetic Experience, and Musical Training on Pure-Tone Frequency Discrimination. Behavioral Sciences 9:1, pages 2.
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William G. Collier & Timothy L. Hubbard. (2004) Musical Scales and Brightness Evaluations: Effects of Pitch, Direction, and Scale Mode. Musicae Scientiae 8:2, pages 151-173.
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Joshua A. Vaughn & Terri L. Bonebright. (1997) A multimedia HyperCard stack for the computerized investigation of chromesthetic associations. Behavior Research Methods, Instruments, & Computers 29:2, pages 168-171.
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FRODE SVARTDAL & TROND IVERSEN. (2008) Consistency in synesthetic experience to vowels and consonants: Five case studies. Scandinavian Journal of Psychology 30:3, pages 220-227.
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Donald J. Polzella & David W. Biers. (2016) Chromesthetic Responses to Music: Replication and Extension. Perceptual and Motor Skills 65:2, pages 439-443.
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Lenore Block. (2016) Comparative Tone-Colour Responses of College Music Majors with Absolute Pitch and Good Relative Pitch. Psychology of Music 11:2, pages 59-66.
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Donald J. Polzella & Audrey M. Kuna. 1981. Concepts, Results, and Applications. Concepts, Results, and Applications 165 173 .
. 1978. The Unity of the Senses. The Unity of the Senses 257 275 .

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