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Original Articles

Disentangling the screen idea

Pages 89-99 | Published online: 06 Jan 2014

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Read on this site (5)

Susan Cake, Sean Maher & Tony McGrath. (2021) Leveraging collaboration: script development processes in low budget Australian feature filmmaking. Studies in Australasian Cinema 15:3, pages 132-146.
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Bernadette Marie Calafell & Kendall R. Phillips. (2019) Disciplining the Devil: a rhetorical history of Tod Browning’s The Devil Doll (1936). Critical Studies in Media Communication 36:1, pages 18-34.
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Mattie Sempert, Louise Sawtell, Peta Murray, Sophie Langley & Craig Batty. (2017) Methodologically speaking: innovative approaches to knowledge and text in creative writing research. New Writing 14:2, pages 205-222.
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IanW. Macdonald. (2010) Forming the craft: Play‐writing and photoplay‐writing in Britain in the 1910s. Early Popular Visual Culture 8:1, pages 75-89.
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Articles from other publishers (24)

PASCAL RUDOLPH. (2022) The Musical Idea Work Group: Production and Reception of Pre-existing Music in Film. Twentieth-Century Music 20:2, pages 136-156.
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Florian KraußFlorian Krauß. 2023. Qualitätsserien aus Deutschland. Qualitätsserien aus Deutschland 13 35 .
Florian Krauß. 2023. Produktionskulturen audiovisueller Medien. Produktionskulturen audiovisueller Medien 373 395 .
Florian Krauß. 2023. Handbuch Televisuelle Serialität. Handbuch Televisuelle Serialität 1 21 .
Ian W. Macdonald. 2023. The Palgrave Handbook of Screenwriting Studies. The Palgrave Handbook of Screenwriting Studies 21 43 .
Rafael Leal. 2023. The Palgrave Handbook of Screenwriting Studies. The Palgrave Handbook of Screenwriting Studies 189 204 .
Rosamund Davies, Paolo Russo & Claus Tieber. 2023. The Palgrave Handbook of Screenwriting Studies. The Palgrave Handbook of Screenwriting Studies 1 17 .
Susan Cake. (2022) Writing for instructional screens: Expanding the scope for screenwriting practitioners. Journal of Screenwriting 13:2, pages 245-259.
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Angelo Tomaselli, Joris J. Ebbers & Giuseppe Torluccio. (2021) Investments in Nascent Project-Based Enterprises: The interplay between role-congruent reputations and institutional endorsement. Organization Studies 43:4, pages 595-622.
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Jan Henschen, Florian Krauß, Alexandra Ksenofontova & Claus Tieber. 2022. Drehbuchforschung. Drehbuchforschung 1 24 .
Cath Moore. 2021. The Palgrave Handbook of Script Development. The Palgrave Handbook of Script Development 279 294 .
Anneleen Masschelein. 2021. Writing Manuals for the Masses. Writing Manuals for the Masses 1 43 .
Rosamund Davies. 2021. Script Development. Script Development 113 128 .
Ian W. Macdonald. 2021. Script Development. Script Development 9 29 .
Siobhan Jackson. 2021. Script Development. Script Development 237 269 .
Florian Krauß. (2020) From ‘Redakteursfernsehen’ to ‘showrunners’: Commissioning editors and changing project networks in TV fiction from Germany. Journal of Popular Television, The 8:2, pages 177-194.
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Alexandra KsenofontovaAlexandra Ksenofontova. 2020. The Modernist Screenplay. The Modernist Screenplay 25 44 .
Jan Trnka. (2019) Experiments with a Lore. Alternative Screenwriting of Laterna Magika. Iluminace 31:3, pages 27-45.
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Margaret McVeigh. 2019. The Palgrave Handbook of Screen Production. The Palgrave Handbook of Screen Production 157 168 .
Ruth Gutiérrez Delgado & Isadora García Avis. (2018) From Manchester to Madrid. Rewriting narrative categories in televisual remakes. Life on Mars in Spain: The case of La chica de ayer. Poetics 70, pages 28-38.
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Eva Novrup Redvall. 2016. The Creative System in Action. The Creative System in Action 139 154 .
Kathryn MillardKathryn Millard. 2014. Screenwriting in a Digital Era. Screenwriting in a Digital Era 28 41 .
Steven PriceSteven Price. 2013. A History of the Screenplay. A History of the Screenplay 22 35 .
Ian W. Macdonald. (2008) Mr Gilfil's Love Story : The ‘Well-Made Screenplay’ in 1920 . Journal of British Cinema and Television 5:2, pages 223-241.
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