A Vogue That Dare Not Speak its Name: Sexual Subculture During the Editorship of Dorothy Todd, 1922–26

Christopher Reed Christopher Reed is Chair of the Art Department at Lake Forest College. His books are A Roger Fry Reader Reader, the anthology Not at Home: The Suppression of Domesticity in Modern Art and Architecture (both 1996), and Bloomsbury Rooms: Modernism, Subculture, and Domesticity (2004). He has also published widely on issues of sexual identity and contemporary art and design. [email protected]

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Barbara Green. (2021) Women’s Magazines Making Modernism. Women: a cultural review 32:1, pages 113-116.
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Dominic Janes. (2017) Early Twentieth-Century Vogue, George Wolfe Plank and The Freaks of Mayfair. Visual Culture in Britain 18:1, pages 68-83.
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Reina Lewis & Andrew Stephenson. (2017) Introduction: Queer Visual Historiographies. Visual Culture in Britain 18:1, pages 1-17.
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Dominic Janes. (2015) Cecil Beaton, Richard Hamilton and the Queer, Transatlantic Origins of Pop Art. Visual Culture in Britain 16:3, pages 308-330.
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Stacy Sivinski. (2020) Velvet, Silk, and Other Ecstasies: Exploring Affective Encounters with Clothes in Early Issues of Vogue . The Journal of Modern Periodical Studies 11:2, pages 174-194.
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A Vogue That Dare Not Speak its Name: Sexual Subculture During the Editorship of Dorothy Todd, 1922–26

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A Vogue That Dare Not Speak its Name: Sexual Subculture During the Editorship of Dorothy Todd, 1922–26

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