ABSTRACT
This study undertakes a close reading of the British science fiction writer Adrian Tchaikovsky’s Echoes of the Fall trilogy, which comprises three novels–The Tiger and the Wolf (2016), The Bear and the Serpent (2017) and The Hyena and the Hawk (2018)–to demonstrate how acknowledging the power of ‘becoming’ from an animal-centric discursive framework paves the way for a dynamic integration of a chastened humanity and a newly empowered animality. The goal is to show how Tchaikovsky’s trilogy blurs the boundaries between animalkind and humankind such that they are no longer two disparate and distinct entities. The author adopts Deleuze’s and Guattari’s paradigm of “becoming-animal” as his primary philosophical framework, along with various secondary theoretical and philosophical insights to explore agency, transformation, becoming, alterity and conviviality in Tchaikovsky’s works and their contribution to the rapidly expanding discourse on animality. The novels portray the human form assuming paramount significance during tender moments when feelings, thoughts, emotions and sentiments are felt, relieved and shared while, for more challenging events such as facing adverse natural conditions, dangerous enemies and monstrous battles, it is the animal or beastly form that proves most advantageous.
Acknowledgments
I wish to express my gratitude and love to my parents for their constant moral and financial support.
Disclosure statement
No potential conflict of interest was reported by the author(s).
Additional information
Notes on contributors
Indrajit Patra
Indrajit Patra completed his Ph.D. in 2019 from NIT, Durgapur, West Bengal, India. He has published several research articles in various international journals both on science and humanities and has written and edited four books. His primary areas of interest are posthumanism, transhumanism, virtual reality, computer science and its impact on our day-to-day life, psychoanalysis, and epic poetry.