Disclosure statement
No potential conflict of interest was reported by the authors.
Notes
1 Damien Pfister (@dspfister), “But Dan, in being there, _was there_,” Twitter, May 27, 2021, https://twitter.com/dspfister/status/1398094224978026499.
2 “Attend,” Etymology Dictionary, 2000–22, https://etymology.en-academic.com/6073/attend.
3 Kenneth Burke, Philosophy of Literary Form, 3rd ed. (Berkeley: University of California Press, 1973), 110–11.
4 Catherine R. Squires and Daniel C. Brouwer, “In/discernible Bodies: The Politics of Passing in Dominant and Marginal Media,” Critical Studies in Media Communication 19, no. 3 (2002): 305, https://doi.org/10.1080/07393180216566.
5 Daniel C. Brouwer, “Privacy, Publicity, and Propriety in Congressional Eulogies for Representative Stewart B. McKinney (R-Conn.),” Rhetoric and Public Affairs 7, no. 2 (2004): 191–214, https://doi.org/10.1353/rap.2004.0034; Daniel C. Brouwer, “ACT-ing UP in Congress,” in Counterpublics and the State, ed. Robert Asen and Daniel C. Brouwer (Albany: State University of New York Press, 2001), 87–109.
6 Daniel C. Brouwer, “Corps/Corpse: The U.S. Military and Homosexuality,” Western Journal of Communication 68, no. 4 (2004): 411–30, https://doi.org10.1080/10570310409374811.
7 Shuzhen Huang and Daniel C. Brouwer, “Coming Out, Coming Home, Coming With: Models of Queer Sexuality in Contemporary China,” Journal of International and Intercultural Communication 11, no. 2 (2018): 97–116, https://doi.org/10.1080/17513057.2017.1414867; Shuzhen Huang and Daniel C. Brouwer, “Negotiating Performances of ‘Real’ Marriage in Chinese Queer Xinghun,” Women’s Studies in Communication 4, no. 2 (2018): 140–58, https://doi.org/10.1080/07491409.2018.1463581.
8 Daniel C. Brouwer and Adela C. Licona, “Trans(affective)mediation: Feeling Our Way from Paper to Digitized Zines and Back Again,” Critical Studies in Media Communication 33, no. 1 (2016): 70–83, https://doi.org/10.1080/15295036.2015.1129062; Squires and Brouwer “In/discernible Bodies.”
9 Daniel C. Brouwer and Charles E. Morris III, “Decentering Whiteness in AIDS Memory: Indigent Rhetorical Criticism and the Dead of Hart Island,” Quarterly Journal of Speech 107, no. 2 (2021): 160–84, https://doi.org/10.1080/00335630.2021.1905868.
10 Daniel C. Brouwer and Linda Diane Horwitz. “The Cultural Politics of Progenic Auschwitz Tattoos: 157622, A-15510, 4559, … ,” Quarterly Journal of Speech 101, no. 3 (2015): 534–58, https://doi.org/10.1080/00335630.2015.1056748; Daniel C. Brouwer, “The Precarious Visibility Politics of Self-Stigmatization: The Case of HIV/AIDS Tattoos,” Text and Performance Quarterly 18, no. 2 (1998): 114–36, https://doi.org/10.1080/10462939809366216.
11 Brouwer and Licona, “Trans(affective)mediation”; Daniel C. Brouwer, “Counterpublicity and Corporeality in HIV/AIDS Zines,” Critical Studies in Media Communication 22, no. 5 (2005): 351–71, https://doi.org/10.1080/07393180500342860; Daniel C. Brouwer, “Risibility Politics: Camp Humor in HIV/AIDS Zines,” in Public Modalities: Rhetoric, Culture, Media, and the Shape of Public Life, ed. Daniel C. Brouwer and Robert Asen (Tuscaloosa: University of Alabama Press, 2010), 219–39.
12 Daniel C. Brouwer, “From San Francisco to Atlanta and Back Again: Ideologies of Mobility in the AIDS Quilt’s Search for a Homeland,” Rhetoric and Public Affairs 10, no. 4 (2007): 701–22, https://doi.org/10.1353/rap.2008.0027.
13 Brouwer and Morris, “Decentering Whiteness in AIDS Memory,” 164.
14 Brouwer, “The Precarious Visibility Politics of Self-Stigmatization.”
15 Brouwer and Morris, “Decentering Whiteness in AIDS Memory,” 164.
16 Brouwer and Licona, “Trans(affective)mediation.”
17 Squires and Brouwer, “In/discernible Bodies.”
18 Brouwer, “Counterpublicity and Corporeality in HIV/AIDS Zines.”
19 Brouwer and Licona, “Trans(affective)mediation,” 77.
20 Brouwer, “From San Francisco to Atlanta and Back Again,” 715.
21 bell hooks, Black Looks (New York: Routledge, 1992).
22 Brouwer, “The Precarious Visibility Politics of Self-Stigmatization.”
23 Brouwer and Horwitz. “The Cultural Politics of Progenic Auschwitz Tattoos.”
24 Brouwer, “Privacy, Publicity, and Propriety in Congressional Eulogies for Representative Stewart B. McKinney (R-Conn.).”
25 Robert Asen and Daniel C. Brouwer, eds., Counterpublics and the State (Albany: State University of New York Press, 2001); Daniel C. Brouwer and Robert Asen, eds., Public Modalities: Rhetoric, Culture, Media, and the Shape of Public Life (Tuscaloosa: University of Alabama Press, 2010).
26 Squires and Brouwer, “In/discernible Bodies.”
27 Brouwer, “The Precarious Visibility Politics of Self-Stigmatization”; Huang and Brouwer, “Coming Out, Coming Home, Coming With.”
28 Brouwer, “Corps/Corpse,” 425.
29 Brouwer, “The Precarious Visibility Politics of Self-Stigmatization”; Brouwer and Horwitz, “The Cultural Politics of Progenic Auschwitz Tattoos.”
30 Huang and Brouwer, “Coming Out, Coming Home, Coming With,” 111.
31 Brouwer, “From San Francisco to Atlanta and Back Again,” 715.
32 Brouwer, “Counterpublicity and Corporeality in HIV/AIDS Zines,” 351.
33 Brouwer, “Counterpublicity and Corporeality in HIV/AIDS Zines,” 362–63.
34 Brouwer, “Counterpublicity and Corporeality in HIV/AIDS Zines,” 364–65.
35 Brouwer, “The Precarious Visibility Politics of Self-Stigmatization,” 128.