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Notes
1. Mark Doyle, The Kinks: Songs of the Semi-Detached (Reaktion, 2020), 14.
2. Doyle, The Kinks, 9.
3. Philip Tagg, ‘Analysing popular music: theory, method and practice,’ Popular Music 2 (1982), 42.
4. Patrick Glen, Youth and Permissive Social Change in British Music Papers, 1967–1983 (London: Palgrave Macmillan, 2019).
5. Doyle, The Kinks, 73.
6. Doyle, The Kinks, 74.
7. Doyle, The Kinks, 135.
8. Doyle, The Kinks, 166.
9. Doyle, The Kinks, 175.
10. Keith Gildart, ‘From “Dead End Streets” to “Shangri Las”: Negotiating Social Class and Post-War Politics with Ray Davies and the Kinks,’ Contemporary British History 26: 3 (2012), 273–298.