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Micronarratives

Carceral Tales: A Report on Prison Pedagogy

Pages 309-312 | Published online: 07 Sep 2021
 

Notes

Notes

1 Caleb Smith, The Prison and the American Imagination, (New Haven: Yale University), 27.

2 “The Convict,” season 3, episode 9 of The Office, NBC, aired 30 November 2006.

3 The term “carceral imaginary” is used by (but not limited to) scholars of both media studies and prison sociology. See Alison Griffiths, Carceral Fantasies and Caleb Smith, The Prison and the American Imagination (New Haven: Yale University Press, 2009).

4 Sara M. Benson, The Prison of Democracy: Race, Leavenworth, and the Culture of Law (Los Angeles: University of California Press, 2019).

5 Benson, The Prison of Democracy, 16.

6 Benson, The Prison of Democracy, 19.

7 Joshua M. Price, Prison and Social Death (New Brunswick: Rutgers University Press, 2015).

8 Price, Prison and Social Death, 93.

9 Price, Prison and Social Death, 93.

10 Price, Prison and Social Death, 94.

11 Edgar Allan Poe, “The Pit and the Pendulum,” in The Gift: A Christmas and New Year’s Present for 1843 (1842), no edition information available.

12 Poe, “The Pit and the Pendulum,” 3.

13 See Nella Larsen, Passing (New York: Alfred A. Knopf, 1929) and Charlotte Perkins Gilman, “The Yellow Wall-Paper,” in The New England Magazine (January 1892).

14 Brett Story, Prison Land: Mapping Carceral Power Across Neoliberal America (Minneapolis: U. of Minnesota Press, 2019), 10.

15 Alberto Pérez-Gómez, “The Myth of Daedalus,” AA Files, No. 10 (Autumn 1985): 49–52.

16 Pérez-Gómez, “The Myth of Daedalus,” 49.

17 John Wilton-Ely, The Mind and Art of Piranesi (London: Thames and Hudson, 1978), 81.

18 Andrew Leach, Manfredo Tafuri: Choosing History (Ghent: A&S Books, 2009), 257.

19 Michel Foucault, “‘Panopticism’ from Discipline & Punish: The Birth of the Prison,” Race/Ethnicity: Multidisciplinary Global Contexts, Volume 2, No. 1, (Autumn 2008): 1–12.

20 “Foucault, moreover, paid no attention to race and gender. We are missing something fundamental in our understanding and analysis of the modern prison if we do not analyze the specific historical conditions in the United States, including gender oppression and racial stigma, as well as the role of religious reform movements and industrialization.” Joshua M. Price, Prison and Social Death, 103.

21 See, for example, Lori Baker-Sperry and Liz Grauerholz, “The Pervasiveness and Persistence of the Feminine Beauty Ideal in Children’s Fairy Tales,” Gender and Society, Vol. 17, No. 5 (Oct. 2003): 711–726.

Additional information

Notes on contributors

Galo Canizares

Galo Canizares is a designer, writer, and lecturer at Texas Tech University’s College of Architecture. His work blends absurdity, genre fiction, world-making, simulation, and parafiction to address issues in technology and the built environment. He is the author of Digital Fabrications: Designer Stories for a Software-Based Planet (Applied Research + Design, 2019), a collection of essays on software and design.

Stephanie Sang Delgado

Stephanie Sang Delgado is a registered architect and lecturer at Texas Tech University’s College of Architecture. Previously, Delgado was a teaching fellow at the School of Architecture at Taliesin. She received her Master of Architecture from the Knowlton School at Ohio State where she was awarded the Graduate Enrichment Fellowship and Architecture Research Travel Award.

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