ABSTRACT
In this article, we analyse Indian museum practices that pertain to the representation of the nation’s liberation and independence from colonial occupation. We draw specifically on a comparative analysis of museums in the former Portuguese and French territories of India. These territories remained colonies for a number of years after the British were forced from India, raising questions of how contemporary museums represent these alternative narratives of independence. Such sites have previously been considered at the periphery of narratives of Indian decolonisation, but we argue that the territories reveal key aspects of current museological practice in India. In examining how museums in Velha Goa and Chandannagar represent colonial narratives, we demonstrate that the museums present a timeless and enduring Indian culture that has universal values, contrasted with the temporally limited European nature of imperialism. We subsequently argue that museum practices, which might appear to diverge from the central narrative of Indian independence, have instead been co-opted to support historical narratives of an essentialised Indian state and singular emergence as an independent nation.
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Notes on contributors
Robert Mason
Dr Robert Mason is a cultural historian, whose research focusses on social memories and heritage connected with violence, displacement, and difficult pasts. He has a particular focus on the entangled histories and heritage of the Spanish, Portuguese and British in Australia, Asia, and North America. Robert explores how intercultural encounters influence our experience of community in the present moment.
Diti Bhattacharya
Dr Diti Bhattacharya is a Resident Adjunct with the Griffith Centre for Social and Cultural Research at Griffith University. Her area of research expertise includes human and cultural geography, migration and mobilities, tourism geographies and critical heritage and museum geographies.