ABSTRACT
This article examines how two media art installations in which celebrity actors enact refugee storytelling create awareness of the complexities of representation and solidarity with refugees. The celebrity actor produces familiarity, or “audibility,” for contents of the stories. Yet at the same time, the familiarity of the actor alerts the visitor to the politics of listening. The artworks therefore produce the potential for ethical listening, which requires interrogation into the privileges of the listener. The artworks produce a kind of sociality different from that of typical celebrity advocacy. Instead of being at the center of attention, the actors’ presence draws critical attention to the politics of listening.
Disclosure statement
No potential conflict of interest was reported by the author.
Notes
1. Tanja Dreher draws on the feminist scholarship of Bickford (Citation1996) and Ratcliffe (Citation2005).
2. https://vimeo.com/candicebreitz. The two interviews are not online because the people interviewed in them are still going through an asylum process. Breeitz (Citation2018) asked each interviewee to decide whether he or she wished the interview to be available online or not.
3. See Neumann and Horsti (Citation2017).