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ABSTRACT
This article aims to illuminate how Indonesian poets Taufiq Ismail and Khairani Barokka narrativize late-20th- and early-21st-century ecological precarity, including urgent issues of deforestation, pollution, biodiversity loss, and Indigenous dispossession. Ismail set the ecocritical agenda in Indonesian poetry early on with “I Want to Write Poetry” (1975), “Reading the Signs” (1982), and “The Pained and Silent Song of a Branch” (1982). Barokka’s long poem Indigenous Species (2016) similarly warns against neocolonial appropriation of land and advocates ecojustice for Indigenous communities of Kalimantan, centre of Indonesia’s palm oil industry. Their poetry links ecological change and catastrophe in Indonesia to the “imperial debris” of globalization. Focused on preserving the value of traditional Indonesian relationships to the more-than-human world, their work gives prominence to the affective dimensions of ecological precarity. The article adopts a postcolonial environmental humanities framework integrating Laura Stoler’s “imperial debris” and Akhil Gupta’s theorization of environmental precarity as “immiserization”.
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No potential conflict of interest was reported by the author.
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John Charles Ryan
John Charles Ryan is adjunct associate professor at Southern Cross University and honorary research fellow at the University of Western Australia. His interests include the environmental humanities, ecopoetics, critical plant studies, and Southeast Asian ecocriticism. His most recent edited book is Australian Wetland Cultures: Swamps and the Environmental Crisis (2019). In 2020, he is botanical writer-in-residence at Oak Spring Garden Foundation in the USA (www.osgf.org) and visiting scholar at University of 17 Agustus 1945 (UNTAG) in Surabaya, Indonesia.