Abstract
The stages of a thangka’s creation parallel the arc of an intimate relationship. In the beginning there is a vision—a dream of the possible.
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Notes on contributors
Reed Malcolm
REED MALCOLM, AMFT, is an intern at the C. G. Institute of San Francisco. He is concurrently executive editor for acquisitions at the University of California Press, where he has published books in the fields of religion, anthropology, and Asian studies. His thangkas can be seen at www.ramalcolm.com. Correspondence: [email protected].