Acknowledgements
This paper would not have been possible without the efforts of my co-directors at Project Trans(m)it: Megan Mizanty, Andrea Lanzetti, and Lora Allen, or the many dancers who participated in our project.
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Notes on contributors
Rebecca Weber
Rebecca Weber, PhD, MFA, MA, RSME/RSMT/RSDE, THE, FHEA is a Dance Studies lecturer at the University of Auckland. Co-director of Project Trans(m)it, director of Somanaut Dance, and editor for Dance, Movement, and Spiritualities, Weber’s research interests include: somatics, technology, choreography, cognition, and pedagogy. www.somanautdance.com.