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Notes
1 Weaving Lines/Looming Narratives was presented at the Newcastle University School of Arts and Cultures, Newcastle, UK from 28 January to 2 February 2013.
2 See Sophia Banou, “Textual Cities/Working Drawings: Rereading the Space of Drawing,” in Writingplace: Investigations in Architecture and Literature, ed. K. Havik, S. Oliveira, J. Mejia Hernandez, M. Proosten, and M. Schafer (Rotterdam: NAi 010, Citation2016), 206–15.
3 These characters, animate and inanimate, were a fishmonger, a fish, the tenant of a flat, waste water across the pavement, the star constellations and my own camera.
4 The project drew from early experiments in chronophotography. See László Moholy-Nagy, The New Vision: From Material to Architecture (New York: Brewer, Warren and Putnam, Citation1932), 134. László Moholy-Nagy’s long exposures dissociated the plasticity of space from the idea of concrete matter, defining volume equally through the “circumscription of mass” and the visual contour of motion by means of light. Similarly, his photograms suggested a way of not simply drawing with light, but of understanding physical movement as drawing in real space.
5 Gilles Deleuze, Cinema 1: The Movement-Image, trans. Hugh Tomlinson and Barbara Habberjam (Minneapolis: The University of Minnesota Press, Citation1986), 3–4.
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Sophia Banou
Sophia Banou is a Lecturer in Architecture at the University of the West of England, UK. She studied architecture at the National Technical University of Athens, Greece and holds a Ph.D. in Architecture by Design from the University of Edinburgh, UK. She has previously practiced as an architect in Greece and taught architectural design and theory at the University of Newcastle, UK and the University of Edinburgh. She is currently co-editor of the architectural design research journal Drawing On. Her research is concerned with questions of representation and mediation in architecture and engages with installation as a means of exploring questions of architectural representation.