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Sound Studies
An Interdisciplinary Journal
Volume 5, 2019 - Issue 2
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Sound Reviews

Cult Sound Studies: hand claps, orchestra hits, and the production of popular music

Pages 213-216 | Received 13 Jul 2019, Accepted 23 Jul 2019, Published online: 28 Aug 2019
 

Disclosure statement

No potential conflict of interest was reported by the author.

Notes

1. See the Citationforthcoming issue of the Journal of the American Musical Instrument Society for essays on “Organology and Other Organology” by Gabriele Rossi Rognoni, Flora Dennis, Eric de Visscher, Emily Dolan, Eliot Bates, John Koster, and Laurence Libin. Rossi Rognoni (Citation2017) writes: “[O]rganology is acknowledged as [the] authoritative repository of technical information about musical instruments but regarded as unconcerned with […] the broader context – music, culture, society.” On the new organology, see Tresch and Dolan (Citation2013).

Additional information

Notes on contributors

Paul Harkins

Paul Harkins is a lecturer in music at Edinburgh Napier University. His research is about the history and use of digital technologies in popular music and his book, Digital Sampling, is published by Routledge. Other research interests include copyright, mash-ups, and the music industries. His academic writing has been published in Popular Music, Popular Music & Society, IASPM@Journal, Journal on the Art of Record Production, and Reseaux.

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