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Disclosure statement
No potential conflict of interest was reported by the author.
Filmography
Bloody House (笔仙诡影, Gao Yuxin and Liu Feng, China, 2016)
Bunshinsaba (분신사바, Ahn Byeong-gi, Korea, 2004)
Bunshinsaba 2 (笔仙II, Ahn Byeong-gi, China, 2015)
Bunshinsaba 3(笔仙3, Ahn Byeong-gi, China, 2014)
Bunshinsaba vs Kayako (笔仙咒怨, Deng Andong, 2017)
Bunshinsaba vs Sadako (笔仙大战贞子,River Huang, China, 2016)
Bunshinsaba vs Sadako 2 (笔仙大战贞子2, River Huang, China, 2017)
Bunshinsaba/BiXian (笔仙, Ahn Byeong-gi, China, 2012)
Ju-on (呪怨, Shimizu, Japan, 2002)
Mid July Days 2 (七月半2:前世今生, Li Hong Jian, China, 2016)
Nightmare (가위, Ahn, Korea, 2000)
One Missed Call (着信アリ, Miike, Japan, 2003)
Phone (폰, Ahn, Korea, 2002)
Ring ((リング), Nakata, Japan, 1998)
Tenebrae (Argento, Italy, 1982)
The Death is Here (笔仙惊魂, Guar Er., China, 2013)
The Death is Here III (笔仙惊魂3, Guar Er., China, 2014)
The Exorcist (Friedkin, US, 1973)
The Shining (Kubrick, US, 1980)
Voice (여고괴담 4: 목소리, 2005)
When Pen Ghost Meets Plate Ghost (笔仙撞碟仙, Mo Sa-Li, China/Korea, 2016)
Additional information
Notes on contributors
Colette Balmain
Dr Colette Balmain is a Senior Lecturer in Media & Communication at Kingston University. Her research specialises in East Asian Cinemas and cultures with particular focus on gothic and horror genres. Her first book was Introduction to Japanese Horror Film (EUP: 2008) and she is currently completing a short book on East Asian Gothic Cinema. Concurrently she is an editor for a major collection of essays on BTS as well as working on a monograph on the group, provisionally titled Beyond the Symbolic: Performative Masculinity, Authenticity and Emotionality in BTS. She is a reviewer for Gothic Studies and the East Asian Journal of Popular Culture. She also writes for London Korean Links, easternKicks.com, Asian Movie Pulse and View of the Arts.