Figures & data
Figure 1 Original sketch map example from one interview subject (“Hank”) in Columbus, Ohio, with coded symbology of residence, employment, and commuting experiences. (Color figure available online.)
![Figure 1 Original sketch map example from one interview subject (“Hank”) in Columbus, Ohio, with coded symbology of residence, employment, and commuting experiences. (Color figure available online.)](/cms/asset/85fbd4a5-ab99-4c56-9b91-b634ae3539ca/rtpg_a_781490_o_f0001g.jpg)
Figure 2 Digitized point, line, and polygon features of one sketch map in Columbus, Ohio. (Color figure available online.)
![Figure 2 Digitized point, line, and polygon features of one sketch map in Columbus, Ohio. (Color figure available online.)](/cms/asset/92329ecf-7e19-4e72-b5de-a74f1d945ccd/rtpg_a_781490_o_f0002g.jpg)
Figure 3 Composite map aggregating spatial data of residential and employment locations collected from thirty interview participants in Columbus, Ohio. Source: Boschmann (Citation2011). (Color figure available online.)
![Figure 3 Composite map aggregating spatial data of residential and employment locations collected from thirty interview participants in Columbus, Ohio. Source: Boschmann (Citation2011). (Color figure available online.)](/cms/asset/34e62948-1d85-4caf-ae4f-35d687d1929b/rtpg_a_781490_o_f0003g.jpg)
Figure 4 Example of digitized sketch maps for overlay analysis of public space experiences among two lesbian, gay, bisexual, and transgender study informants in St. Louis, Missouri. Subject A (top) and Subject F (bottom). (Color figure available online.)
![Figure 4 Example of digitized sketch maps for overlay analysis of public space experiences among two lesbian, gay, bisexual, and transgender study informants in St. Louis, Missouri. Subject A (top) and Subject F (bottom). (Color figure available online.)](/cms/asset/5efcff1c-0c59-4c20-acf7-216b28f78d0e/rtpg_a_781490_o_f0004g.jpg)
Figure 5 Visualization of the “creative epicenter” in Darwin, Australia, based on sketch map overlays of eighty-three creative workers. Source: Figure adapted by Chris Brennan-Horley, from Brennan-Horley and Gibson (Citation2009). (Color figure available online.)
![Figure 5 Visualization of the “creative epicenter” in Darwin, Australia, based on sketch map overlays of eighty-three creative workers. Source: Figure adapted by Chris Brennan-Horley, from Brennan-Horley and Gibson (Citation2009). (Color figure available online.)](/cms/asset/5c1f43be-a947-48ef-b6ec-a76cff8dd7c4/rtpg_a_781490_o_f0005g.jpg)