6,542
Views
140
CrossRef citations to date
0
Altmetric
Articles

Sketch Maps and Qualitative GIS: Using Cartographies of Individual Spatial Narratives in Geographic Research

&
Pages 236-248 | Received 01 Nov 2011, Accepted 01 Sep 2012, Published online: 19 Apr 2013

Figures & data

Figure 1 Original sketch map example from one interview subject (“Hank”) in Columbus, Ohio, with coded symbology of residence, employment, and commuting experiences. (Color figure available online.)

Figure 1 Original sketch map example from one interview subject (“Hank”) in Columbus, Ohio, with coded symbology of residence, employment, and commuting experiences. (Color figure available online.)

Figure 2 Digitized point, line, and polygon features of one sketch map in Columbus, Ohio. (Color figure available online.)

Figure 2 Digitized point, line, and polygon features of one sketch map in Columbus, Ohio. (Color figure available online.)

Figure 3 Composite map aggregating spatial data of residential and employment locations collected from thirty interview participants in Columbus, Ohio. Source: Boschmann (Citation2011). (Color figure available online.)

Figure 3 Composite map aggregating spatial data of residential and employment locations collected from thirty interview participants in Columbus, Ohio. Source: Boschmann (Citation2011). (Color figure available online.)

Figure 4 Example of digitized sketch maps for overlay analysis of public space experiences among two lesbian, gay, bisexual, and transgender study informants in St. Louis, Missouri. Subject A (top) and Subject F (bottom). (Color figure available online.)

Figure 4 Example of digitized sketch maps for overlay analysis of public space experiences among two lesbian, gay, bisexual, and transgender study informants in St. Louis, Missouri. Subject A (top) and Subject F (bottom). (Color figure available online.)

Figure 5 Visualization of the “creative epicenter” in Darwin, Australia, based on sketch map overlays of eighty-three creative workers. Source: Figure adapted by Chris Brennan-Horley, from Brennan-Horley and Gibson (Citation2009). (Color figure available online.)

Figure 5 Visualization of the “creative epicenter” in Darwin, Australia, based on sketch map overlays of eighty-three creative workers. Source: Figure adapted by Chris Brennan-Horley, from Brennan-Horley and Gibson (Citation2009). (Color figure available online.)

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.