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Studies in Art Education
A Journal of Issues and Research
Volume 62, 2021 - Issue 3
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Articles

Toward Place-Specific and Situational Arctic Visual Culture Learning in Finnish Art Teacher Education

Figures & data

Figure 1. ArkTOP research cycles. Image by Mirja Hiltunen, 2020

Figure 1. ArkTOP research cycles. Image by Mirja Hiltunen, 2020

Figure 2. The researchers, visual arts teachers, and preservice arts teacher students exploring the works of the Sámi activist group Suohpanterror. Image by Laura Ranta, 2018

Figure 2. The researchers, visual arts teachers, and preservice arts teacher students exploring the works of the Sámi activist group Suohpanterror. Image by Laura Ranta, 2018

Figure 3. One student from Sámi upper secondary school explored what the Arctic means to them: reindeer, salmon, tourism, and social problems, 2018

Figure 3. One student from Sámi upper secondary school explored what the Arctic means to them: reindeer, salmon, tourism, and social problems, 2018

Figure 4. In all of the participating schools, students viewed the same art examples. The most prominent one was Sámi artist Marja Helander’s dance movie Eatnanvuloš Lottit [Birds in the Earth], 2018, which examines questions behind land ownership in Sápmi. The performers are two young Sámi ballet students. Photo courtesy of the Center for Finnish Media Art/Marja Helander

Figure 4. In all of the participating schools, students viewed the same art examples. The most prominent one was Sámi artist Marja Helander’s dance movie Eatnanvuloš Lottit [Birds in the Earth], 2018, which examines questions behind land ownership in Sápmi. The performers are two young Sámi ballet students. Photo courtesy of the Center for Finnish Media Art/Marja Helander

Figure 5. Two student works depicting AVC themes from everyday life. Photo courtesy of the authors

Figure 5. Two student works depicting AVC themes from everyday life. Photo courtesy of the authors