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Abstract
Through the reflections of interviewees from New York, Montreal, and Sydney, this article investigates the affective qualities of urban ruins and the role they have played in gay male experience and identity construction from 1970 to 2000. Along with other places on the margins of regulated space, urban ruins operate as points of transition—passages from reason to myth at the interstices of ordered urban space. The article argues that the sensual feelings and memories conjured by these ruins enable alternative modes of being for gay men that stand in contrast to the more regimented modes of everyday life.