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Visual Resources
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Volume 30, 2014 - Issue 4: The Imaginary City in the Twenty-first Century
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Articles

The Metamorphosis of Cain: Aesthetics in the Trans-industrial City at the Turn of the Twenty-first Century

Figures & data

Figure 1 Augustus W. N. Pugin, “Catholic town in 1440” (lower) and “The same town in 1840” (upper). Unnumbered plate in Contrasts—Or, a Parallel Between the Noble Edifices of the Fourteenth and Fifteenth Centuries and Similar Buildings of the Present Day. Shewing the Present Decay of Taste Accompanied by Appropriate Text (1836).

Figure 1 Augustus W. N. Pugin, “Catholic town in 1440” (lower) and “The same town in 1840” (upper). Unnumbered plate in Contrasts—Or, a Parallel Between the Noble Edifices of the Fourteenth and Fifteenth Centuries and Similar Buildings of the Present Day. Shewing the Present Decay of Taste Accompanied by Appropriate Text (1836).

Figure 2 The Albert Dock and the Tate Liverpool. Photographs © Gabriel Gee.

Figure 2 The Albert Dock and the Tate Liverpool. Photographs © Gabriel Gee.

Figure 3 Patrick Studios, Leeds. Image © and courtesy of East Street Arts.

Figure 3 Patrick Studios, Leeds. Image © and courtesy of East Street Arts.

Figure 4 Installation view of Conor McFeely's Inside His Master's Voice at Ormeau Bath Gallery, Belfast (2010). Image © and courtesy of Conor McFeely.

Figure 4 Installation view of Conor McFeely's Inside His Master's Voice at Ormeau Bath Gallery, Belfast (2010). Image © and courtesy of Conor McFeely.

Figure 5 Conor McFeely, Inside His Master's Voice (detail) at Ormeau Bath Gallery, Belfast (2010). Image © and courtesy of Conor McFeely.

Figure 5 Conor McFeely, Inside His Master's Voice (detail) at Ormeau Bath Gallery, Belfast (2010). Image © and courtesy of Conor McFeely.

Figure 6 Conor McFeely, Weathermen, at Golden Thread Gallery, Belfast (2013). Image © and courtesy of Conor McFeely.

Figure 6 Conor McFeely, Weathermen, at Golden Thread Gallery, Belfast (2013). Image © and courtesy of Conor McFeely.

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