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Articles

A Collaborative Model for Lithic Shape Digitization in Museum Settings

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Figure 1. Cartoon of an example photography set-up, including a digital camera, a macro lens, a copy stand, photography lights, a spirit level, materials for holding the artefacts down, a small photography scale, and computer software for remote data capture.

Figure 1. Cartoon of an example photography set-up, including a digital camera, a macro lens, a copy stand, photography lights, a spirit level, materials for holding the artefacts down, a small photography scale, and computer software for remote data capture.

Figure 2. Example photos of lithic points from Omo Kibish, Ethiopia. All points are photographed with their dorsal surface facing the camera. Photos taken by Dr Behailu Habte, National Museum of Ethiopia.

Figure 2. Example photos of lithic points from Omo Kibish, Ethiopia. All points are photographed with their dorsal surface facing the camera. Photos taken by Dr Behailu Habte, National Museum of Ethiopia.

Figure 3. Image binarization process of a lithic point from Ifri n’Ammar, Morocco. Photo taken by Mouna Qazzih, Institut National des Sciences de l’Archéologie et du Patriome, Morocco.

Figure 3. Image binarization process of a lithic point from Ifri n’Ammar, Morocco. Photo taken by Mouna Qazzih, Institut National des Sciences de l’Archéologie et du Patriome, Morocco.