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Abstract
For the last 40 years I am trying to make Magic. First as a dancer and choreographer, creating performances and dance pieces, then using the skills I acquired in the theater and applying them to sex-positive spaces. What I describe here is not an academic thesis or a philosophical text. All the knowledge about Making Magic that I propose is derived from practical experience. It is a method developed in 40+ years working with and observing the body, while choreographing dance, group processes, and social events.
Disclosure statement
No potential conflict of interest was reported by the author(s).
Notes
1 One as the opposite of “many” … one spine, one nose, one anus … many bones, many fingers, and so on. Musically: one as one beat and many as many beats…
2 The “Laban Cube” and the “nine point system” are choreographic tools in Rudolf Laban’s work, which was still taught at Folkwang Hochschule when I attended in 1985–1989 (Space Harmony, Citationn.d.).