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Urban Pulse

“Worlding” Bangladeshi urbanism through water

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Pages 1021-1034 | Received 09 Feb 2022, Accepted 08 Feb 2023, Published online: 09 Mar 2023

Figures & data

Figure 1. Hatirjheel Lake. Photograph by Shreyashi Dasgupta, 2016. CC BY 4.0.

Photograph of Hatirjheel Lake at dusk, showing a curved bridge stretching across the water and leading toward high-rises on the other side of the lake.
Figure 1. Hatirjheel Lake. Photograph by Shreyashi Dasgupta, 2016. CC BY 4.0.

Figure 2. People crossing the Gulshan-Banani Lake by raft. Photograph by Shreyashi Dasgupta, 2016. CC BY 4.0.

Photograph of Gulshan-Banani Lake, showing a cluster of tin-shed houses on stilts on the opposite side of the lake. In the middle of the lake, three men are paddling an improvised, plastic-covered raft with their hands.
Figure 2. People crossing the Gulshan-Banani Lake by raft. Photograph by Shreyashi Dasgupta, 2016. CC BY 4.0.

Figure 3. Rickshaws navigating the flooded streets of Dhaka (faces blurred to prevent identification). Photograph by Annemiek Prins, 2017. CC BY 4.0.

Photograph of a flooded yet sunny street, showing busy traffic and a long queue of colorful cycle-rickshaws slowly plowing through the water. The picture focuses on a cycle-rickshaw driver who is approaching from the opposite direction. His passenger, a young girl, is holding a purple-pink umbrella to protect herself from the sun. The faces of people have been blurred to prevent identification.
Figure 3. Rickshaws navigating the flooded streets of Dhaka (faces blurred to prevent identification). Photograph by Annemiek Prins, 2017. CC BY 4.0.

Figure 4. Rickshaws parked next to a drainage canal. Photograph by Annemiek Prins, 2022. CC BY 4.0.

Photograph of a shallow canal, with garbage accumulating on the left side under a structure of bamboo. Next to it, a few empty rickshaw carts have been parked on a patch of dirt. On the other side of the canal there are green bushes and apartment blocks.
Figure 4. Rickshaws parked next to a drainage canal. Photograph by Annemiek Prins, 2022. CC BY 4.0.