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Articles

Theoretical Approaches to Quotation in Hip-Hop Recordings

Figures & data

Figure 1 From Richard Dyer, Pastiche (Citation2007, p. 24).

Figure 1 From Richard Dyer, Pastiche (Citation2007, p. 24).

Figure 2 The Pharcyde's ‘Passin’ Me By’ (1992): autosonic quotations, textually signalled.

Figure 2 The Pharcyde's ‘Passin’ Me By’ (1992): autosonic quotations, textually signalled.

Figure 3 Snoop Doggy Dogg's ‘Who Am I (What's My Name?)’ (1993): allosonic quotations, not textually signalled.

Figure 3 Snoop Doggy Dogg's ‘Who Am I (What's My Name?)’ (1993): allosonic quotations, not textually signalled.

Figure 4 Sample A (bars 70–71) from J. S. Bach's Brandenburg Concerto No. 3, first movement.

Figure 4 Sample A (bars 70–71) from J. S. Bach's Brandenburg Concerto No. 3, first movement.

Figure 5 Sample B (bars 68–69) from J. S. Bach's Brandenburg Concerto No. 3, first movement.

Figure 5 Sample B (bars 68–69) from J. S. Bach's Brandenburg Concerto No. 3, first movement.

Figure 6 The form of ‘Symphony in X Major’ (section, function, number of bars and sample used).

Figure 6 The form of ‘Symphony in X Major’ (section, function, number of bars and sample used).