Scraps and Maps: Handwriting and Drawing as Early-Stage Process Methods for Autobiography

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Disclosure statement

No potential conflict of interest was reported by the authors.

Notes

1 Ahmed, Queer Phenomenology, 3.

2 Ahmed, Queer Phenomenology, 2.

3 DeSalvo, The Art of Slow Writing, 4.

4 Chambers et. al. Life Writing and Literary Métissage, 178.

5 Russon, “Beyond Trigger Warnings,” 2.

6 Cowan. “A live event, a life event.”

7 Reid and Turner. "Editor’s Preface: Legible/Visible," 7.

8 Brookes, “Magical thinking”

9 Jvan Dijck, “Writing the Self,” 119.

10 Ingold, The Life of Lines, 62.

11 Ingold, Correspondences, 204.

12 Reid and Turner, 8.

13 Kruger and DasGupta. "Embodiment in [Critical] Auto|biography Studies," 484. Emphasis in original.

14 Henderson. How to Read a Diary, 147.

15 Henderson, "Reading Digitized Diaries," 159.

16 Kashtan, "Forward to the Past," 7.

17 Henderson, How to Read a Diary, 147.

18 Smith and Watson. Reading Autobiography, 49.

19 Brophy. “Mediated Embodiments | Embodied Meditations,” 267.

20 Stepanova. In Memory of Memory, 36.

21 Dickinson and Bervin, The Gorgeous Nothings.

22 Falconer, "The uses and enchantments of the writer’s notebook," 10.

23 Barry, What It Is

24 Barry, Picture This

25 Barry, Syllabus

26 Barry, Making Comics

27 Barry, Syllabus, 8.

28 Barry, Syllabus, 8.

29 Barry, What It Is, 106.

30 Harmon, You Are Here, 10.

31 Harmon, You Are Here

32 Harzinski and Hand Drawn Maps Association, From Here to There, 9.

33 Mikosza, “The Share House Project”.

34 Benjamin, "A Berlin Chronicle," 295.

35 Shadbolt, “Map 9 K11”.