Figures & data
El Anatsui, Gravity and Grace, 2010, aluminium and copper wire, 482 × 1120 cm, collection of the Artist, Nsukka, Nigeria, © El Anatsui, image courtesy of the artist and Jack Shainman Gallery, New York
Azadeh Sarjoughian, An Alternative Measurement Plus Seven-Centimetre High Heels, 2017, Centrala Gallery, Birmingham, UK, photograph courtesy of the artist
Above: Girls playing with shell dolls, photographed by Peter Worsley 1952–1953, Pitt Rivers Museum, University of Oxford. Below: Anindilyakwa artists dying fabrics on Groote Eylandt in 2022
Khadija von Zinnenburg Carroll, film stills from Te Moana, 2020, from top left to bottom right: Hinano Teavai-Murphy; Jody Toroa; Emalani Case; Tupaia embroidery; protestors in Gisborne; Karakia to Te Haa o Tangaroa the whale after she beached at Muriwai in July 2019; Tahitian dancer with delegation welcoming the waka in Gisborne, October 2019
Screenshot of the ‘Global Art History and the Imbalance of Power’ panel discussion at the Association for Art History conference, captured on 15 April 2021 at 17:33 by Stacey Kennedy
Screenshot of the authors’ regular round-table discussion taken by Khadija von Zinnenburg Carroll
