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Abstract
In this paper we demonstrate how universal design theory and the research available on museum‐based touch tours can be used to develop a touch tour for blind and low‐vision theatregoers. We discuss these theoretical and practical approaches with reference to data collected and experience gained from the creation and execution of a touch tour for Hart House Theatre’s production of Hamlet at the University of Toronto. Finally, we offer up the possibility of using universal design theory to create a touch tour that would be attractive to all theatregoers.