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Position Paper

Everything moves: The rapid changes in photogrammetry and remote sensing

Pages 33-49 | Received 11 Sep 2020, Accepted 18 Dec 2020, Published online: 02 Feb 2021

Figures & data

Figure 1. The inclining (“sleeping”) Buddha in Dunhuang, China, cave 158; digital image(left) and 3D model(right), generated photogrammetrically (courtesy Prof. Deren Li, Wuhan University)

Figure 1. The inclining (“sleeping”) Buddha in Dunhuang, China, cave 158; digital image(left) and 3D model(right), generated photogrammetrically (courtesy Prof. Deren Li, Wuhan University)

Figure 2. Terrestrial photogrammetry with the TAF photographic glass-plate camera in the Bavarian mountains and at Castle Herrenchiemsee. Theodolite observations for photogrammetric control at the Monastery Au/Inn

Figure 2. Terrestrial photogrammetry with the TAF photographic glass-plate camera in the Bavarian mountains and at Castle Herrenchiemsee. Theodolite observations for photogrammetric control at the Monastery Au/Inn

Figure 3. Phantom-3 drone (used in archeological applications at Moorea Island, French Polynesia (left) and Oblique drone image over an archeological temple site (right)

Figure 3. Phantom-3 drone (used in archeological applications at Moorea Island, French Polynesia (left) and Oblique drone image over an archeological temple site (right)

Figure 4. Collecting image data underwater with a stereo camera rig (left) and with a single camera (right) for the 3D measurement of coral growth

Figure 4. Collecting image data underwater with a stereo camera rig (left) and with a single camera (right) for the 3D measurement of coral growth

Figure 5. 3D model of a coral field, generated fully automatically from underwater images

Figure 5. 3D model of a coral field, generated fully automatically from underwater images

Figure 6. Phases of photogrammetric development (Courtesy G. Konecny)

Figure 6. Phases of photogrammetric development (Courtesy G. Konecny)

Figure 7. Small group of photogrammetrists at the SPIE Symposium on “Computer Vision for Robotics”, Cannes, 2–6 December 1985. From left: H. Haggren, A. Gruen, V. Kratky, G. Vozikis, E. Baltsavias

Figure 7. Small group of photogrammetrists at the SPIE Symposium on “Computer Vision for Robotics”, Cannes, 2–6 December 1985. From left: H. Haggren, A. Gruen, V. Kratky, G. Vozikis, E. Baltsavias

Figure 8. Giotto di Bondone: Jesus before the Caif (courtesy Chr. W. Tyler)

Figure 8. Giotto di Bondone: Jesus before the Caif (courtesy Chr. W. Tyler)

Figure 9. Woodcuts by Albrecht Dürer, 1525: Instruments for drawing perspectives

Figure 9. Woodcuts by Albrecht Dürer, 1525: Instruments for drawing perspectives

Figure 10. Pompeiian mural of the pageant of Orestes, 1st century AD. Black lines: perspective projection, white lines: approximate parallel projection

Figure 10. Pompeiian mural of the pageant of Orestes, 1st century AD. Black lines: perspective projection, white lines: approximate parallel projection

Figure 11. Sukahavativyauhau Sutra, Mogao Grottos, Dunhuang, Cave 172. Tang Dynasty, 705–780 AD

Figure 11. Sukahavativyauhau Sutra, Mogao Grottos, Dunhuang, Cave 172. Tang Dynasty, 705–780 AD

Figure 12. A realistic 3D scene generated with a “Shotbox” of 64 cameras. The humans and other objects are realistically represented, including texture. This image is made from a 3D printed scene. Courtesy museum focusTerra, ETH Zurich, Special Exhibition “Earth´s Treasures”

Figure 12. A realistic 3D scene generated with a “Shotbox” of 64 cameras. The humans and other objects are realistically represented, including texture. This image is made from a 3D printed scene. Courtesy museum focusTerra, ETH Zurich, Special Exhibition “Earth´s Treasures”

Figure 13. 3D model of the engineering section of NUS, Singapore

Figure 13. 3D model of the engineering section of NUS, Singapore

Figure 14. 3D city model of Firenze, Italy, produced with CC-Modeler (courtesy CyberCity Inc.)

Figure 14. 3D city model of Firenze, Italy, produced with CC-Modeler (courtesy CyberCity Inc.)

Figure 15. The Big Buddha of Bamiyan. Left: The empty niche after destruction. Right: The computer-reconstructed 3D model

Figure 15. The Big Buddha of Bamiyan. Left: The empty niche after destruction. Right: The computer-reconstructed 3D model

Figure 16. The Bamiyan valley and the rock cliff with the two empty Buddha niches

Figure 16. The Bamiyan valley and the rock cliff with the two empty Buddha niches

Figure 17. 3D model of the Nasca geoglyphs (line concentration near Palpa)

Figure 17. 3D model of the Nasca geoglyphs (line concentration near Palpa)

Figure 18. Pleiades satellite images of the Temple of Bel, Palmyra. Left: Taken on 27.8.2015, right: Taken on 31.8.2015, after destruction (courtesy Reuters)

Figure 18. Pleiades satellite images of the Temple of Bel, Palmyra. Left: Taken on 27.8.2015, right: Taken on 31.8.2015, after destruction (courtesy Reuters)

Data availability statement

There is no data related to this work.