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PERFORMANCE SPACE

Calling for a Conjuration

Pages 414-417 | Received 21 Jun 2013, Accepted 10 Jul 2013, Published online: 23 Sep 2013
 

Abstract

This essay explores the shifting terrain of performance studies through one professor's personal journey in the discipline.

Notes

[1] While I use the term Afro-Pessimism here to reference theories that suggest that black captivity is a requirement of civil society in the United States, I am mindful that the term carries a different set of meanings in economic, development, and funding circles. In such arenas, Afro-Pessimism identifies the belief that the African continent faces a grim future given the number of ecological, economic, political, and social issues it must confront. In an important way, the usages are intertwined and mutually influencing.

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