White Innocence and Black Subservience: The Rhetoric of White Heroism in The Help

ABSTRACT

Films play a critical role in shaping public perceptions of historical and contemporary racial relations. Unfortunately, Hollywood often relies on narratives that romanticize racism, recuperate stereotypes, and promote the ideology of a postracial society. One common and harmful narrative is that of the White savior, a prominent trope in the 2011 film The Help. By reading The Help as what Kenneth Burke would describe as a “statement about motives,” the authors of this article argue that the White savior narrative operates by constraining constructions of scene, agency, and purpose. When these elements are constrained, they limit the options of who can be the main agent, or hero, of the film. This, in turn, defines the act itself. This article extends research on racism in film by illustrating how the White savior functions to simultaneously erase and romanticize racism.

KEYTERMS:

• The Help
• interracial communication
• Kenneth Burke
• the pentad
• race