From the Periphery to Center Stage: The Effects and Exploitation of the Other in Titus Andronicus and Assassin’s Creed III

Abstract

Aaron the Moor from Titus Andronicus and Ratonhnhaké:ton from Assassin’s Creed III are each aiding in a war against an international superpower, and both characters are plotting ways to advance and improve their respective culture. Aaron is seen as the villain and the antagonist, whereas Ratonhnhaké:ton is seen as an individual who fights for freedom. However, once both characters’ usefulness is exhausted, they are easily characterized as the Other and lose whatever benefits they may have earned. They are tossed aside by the factions they are trying to help. Even though Assassin’s Creed III is a video game, the same issues of colonialism and imperialism can be investigated in this 21st-century genre as in Shakespeare’s play.