Figures & data
Figure 2. “Ji Bo Fu Gao”, “Ji Zhi Wen Gao”, “Zheng Zuo Wei Tie” (left). Source: Wikipedia Commons. Right Image: Floor plans of the Humble Administrator’s Garden, Lingering Garden, Master of Nets Garden, and Lion Grove Garden (right). Source: Liu Dunzhen’s “Classical Gardens of Suzhou,” Beijing: China Architecture & Building Press, 2005, pages 306, 307; 342, 343; 371; 397).
![Figure 2. “Ji Bo Fu Gao”, “Ji Zhi Wen Gao”, “Zheng Zuo Wei Tie” (left). Source: Wikipedia Commons. Right Image: Floor plans of the Humble Administrator’s Garden, Lingering Garden, Master of Nets Garden, and Lion Grove Garden (right). Source: Liu Dunzhen’s “Classical Gardens of Suzhou,” Beijing: China Architecture & Building Press, 2005, pages 306, 307; 342, 343; 371; 397).](/cms/asset/28bfc32f-27e8-4fcf-9c89-8e9830c7ef49/tabe_a_2358202_f0002_oc.jpg)
Figure 3. Fucui Pavilion (left). Source: Photographed by the author. Wang Xizhi’s “Orchid Pavilion Preface” (right). Source: Wikipedia Commons.
![Figure 3. Fucui Pavilion (left). Source: Photographed by the author. Wang Xizhi’s “Orchid Pavilion Preface” (right). Source: Wikipedia Commons.](/cms/asset/6dbe1c8f-2adb-4d2a-9185-33bba472c2d2/tabe_a_2358202_f0003_oc.jpg)
Figure 4. Basic Spatial Archetypes and the Framework of Generative Logic in Gardens and Calligraphy. Source: Drawn by the author.
![Figure 4. Basic Spatial Archetypes and the Framework of Generative Logic in Gardens and Calligraphy. Source: Drawn by the author.](/cms/asset/780ed437-047d-4a84-8498-9e7a33186acd/tabe_a_2358202_f0004_oc.jpg)
Figure 5. Analysis of Basic Spatial Archetypes and Their Generative Processes in Gardens and Calligraphy. Source: Drawn by the author.
![Figure 5. Analysis of Basic Spatial Archetypes and Their Generative Processes in Gardens and Calligraphy. Source: Drawn by the author.](/cms/asset/ba2976cc-bc04-4850-9e98-3c02af0a0f00/tabe_a_2358202_f0005_oc.jpg)
Figure 6. “Four Seasons to Four Views” in Suzhou Gardens. Source: http://xhslink.com/h50IwG.
![Figure 6. “Four Seasons to Four Views” in Suzhou Gardens. Source: http://xhslink.com/h50IwG.](/cms/asset/c958b6ff-7143-43e6-83cc-b804fdf93bc8/tabe_a_2358202_f0006_oc.jpg)
Figure 7. Master of the Nets Garden (top), the Humble Administrator’s Garden (middle left), Lion Grove Garden (middle right), The Humble Administrator’s Garden (bottom). Source: Photographed by the author.
![Figure 7. Master of the Nets Garden (top), the Humble Administrator’s Garden (middle left), Lion Grove Garden (middle right), The Humble Administrator’s Garden (bottom). Source: Photographed by the author.](/cms/asset/b2f42d69-9b22-4917-8049-92909da858a8/tabe_a_2358202_f0007_oc.jpg)
Figure 8. Emptiness and substance analysis of “Ji Zhi Wen Gao”, “Ji Bo Fu Gao”, and “Zheng Zuo Wei Tie”. Source: Drawn by the author; Base map: Wikipedia Commons.
![Figure 8. Emptiness and substance analysis of “Ji Zhi Wen Gao”, “Ji Bo Fu Gao”, and “Zheng Zuo Wei Tie”. Source: Drawn by the author; Base map: Wikipedia Commons.](/cms/asset/0239fec5-56ca-4ab9-bf76-125f422a8c83/tabe_a_2358202_f0008_oc.jpg)
Figure 9. Analysis of the diagrammatic language model of emptiness and substance in gardens and calligraphy. Source: Drawn by the author.
![Figure 9. Analysis of the diagrammatic language model of emptiness and substance in gardens and calligraphy. Source: Drawn by the author.](/cms/asset/5a423024-83af-478b-b444-9c2cb963bb47/tabe_a_2358202_f0009_oc.jpg)
Figure 10. Analysis of the pictorial language model of denseness and sparseness in gardens and calligraphy. Source: Drawn by the author.
![Figure 10. Analysis of the pictorial language model of denseness and sparseness in gardens and calligraphy. Source: Drawn by the author.](/cms/asset/e88a5a4a-fb1a-4adb-89d3-134efa58bb4b/tabe_a_2358202_f0010_oc.jpg)
Figure 11. Analysis of denseness in “Ji Zhi Wen Gao”, “Ji Bo Fu Gao”, and “Zheng Zuo Wei Tie”. Source: Drawn by the author; Base map: Wikipedia Commons.
![Figure 11. Analysis of denseness in “Ji Zhi Wen Gao”, “Ji Bo Fu Gao”, and “Zheng Zuo Wei Tie”. Source: Drawn by the author; Base map: Wikipedia Commons.](/cms/asset/55b2b58f-496c-40e7-81c9-013d2a45506e/tabe_a_2358202_f0011_oc.jpg)
Figure 12. Analysis of the diagrammatic language model of denseness and sparseness in Gardens and Calligraphy (Source: Drawn by the author).
![Figure 12. Analysis of the diagrammatic language model of denseness and sparseness in Gardens and Calligraphy (Source: Drawn by the author).](/cms/asset/b84cc665-42bd-4fa2-a1fc-64e6612c5843/tabe_a_2358202_f0012_oc.jpg)
Figure 13. Techniques of spatial correspondence and guidance in gardens and calligraphy.
![Figure 13. Techniques of spatial correspondence and guidance in gardens and calligraphy.](/cms/asset/5e416d1b-dec2-43d3-a18f-aee8fe405572/tabe_a_2358202_f0013_oc.jpg)
Figure 14. Path analysis of spatial correspondence and guidance in the Lingering Garden.
![Figure 14. Path analysis of spatial correspondence and guidance in the Lingering Garden.](/cms/asset/0f9a1bf6-99a7-4708-b72e-267bc8c772a8/tabe_a_2358202_f0014_oc.jpg)
Figure 15. Path analysis of “Framed Views, Corresponding Views, and Borrowed Views” in the Humble Administrator’s Garden.
![Figure 15. Path analysis of “Framed Views, Corresponding Views, and Borrowed Views” in the Humble Administrator’s Garden.](/cms/asset/7fadc831-1e80-497c-9ff2-bba78a55135f/tabe_a_2358202_f0015_oc.jpg)
Figure 16. Analysis of calligraphy rubbing and garden framing views.
![Figure 16. Analysis of calligraphy rubbing and garden framing views.](/cms/asset/21c876c7-a7c3-43f2-89d3-0283251ba9a5/tabe_a_2358202_f0016_oc.jpg)
Figure 17. Techniques of spatial correspondence and guidance in gardens and calligraphy.
![Figure 17. Techniques of spatial correspondence and guidance in gardens and calligraphy.](/cms/asset/e5cd827e-e380-4193-bf8d-dc81244b51ad/tabe_a_2358202_f0017_oc.jpg)