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Articles

Recording Loss: film as method and the spirit of Orford Ness

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Pages 19-36 | Received 11 May 2018, Accepted 12 Jan 2019, Published online: 30 Jan 2019

Figures & data

Box 1. Spirit of Place statement for Orford Ness. Source: National Trust Citation2015.

Figure 1. Screenshot from ‘Recording Loss’ of volunteers engaging in archaeological recording at Orford Ness, supervised by CITiZAN archaeologist Lara Band (second from left).

Figure 1. Screenshot from ‘Recording Loss’ of volunteers engaging in archaeological recording at Orford Ness, supervised by CITiZAN archaeologist Lara Band (second from left).

Figure 2. Screenshot from ‘Recording Loss’ illustrating that recording also involves photogrammetry (a) and digital uploading (b).

Figure 2. Screenshot from ‘Recording Loss’ illustrating that recording also involves photogrammetry (a) and digital uploading (b).

Figure 3. Screenshot from ‘Recording Loss’ of the Grade II listed Bomb Ballistics Building.

Figure 3. Screenshot from ‘Recording Loss’ of the Grade II listed Bomb Ballistics Building.

Figure 4. Screenshot from ‘Recording Loss’ showing one of the volunteers as filmed inside the Bomb Ballistics Building.

Figure 4. Screenshot from ‘Recording Loss’ showing one of the volunteers as filmed inside the Bomb Ballistics Building.

Figure 5. Screenshot from ‘Recording Loss’: ‘that’s just my feeling’.

Figure 5. Screenshot from ‘Recording Loss’: ‘that’s just my feeling’.

Figure 6. Screenshots from ‘Recording Loss’ that capture a process of erosion (a), recording (b), revealing (c) and washing ashore (d).

Figure 6. Screenshots from ‘Recording Loss’ that capture a process of erosion (a), recording (b), revealing (c) and washing ashore (d).