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Analysis of Urban Change, Theory, Action
Volume 28, 2024 - Issue 3-4
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Scenes Sounds Action

Monuments in motion: contemporary art, public memories and urban identities

Figures & data

Figure 1: The vandalised monument to Gaspar de Portolà. MONUMENT is visible in the background. 12 October 2022 (Source: Joan Deulofeu).

Figure 1: The vandalised monument to Gaspar de Portolà. MONUMENT is visible in the background. 12 October 2022 (Source: Joan Deulofeu).

Figure 2: The removal of the monument to Gaspar de Portolà from the pedestal (Source: Irma Secanell. 22 March 2023).

Figure 2: The removal of the monument to Gaspar de Portolà from the pedestal (Source: Irma Secanell. 22 March 2023).

Figure 3: MITO#12 MONUMENT (Source: Joan Deulofeu).

Figure 3: MITO#12 MONUMENT (Source: Joan Deulofeu).

Figure 4: MITO#12 MONUMENT (Source: Joan Deulofeu).

Figure 4: MITO#12 MONUMENT (Source: Joan Deulofeu).

Figure 5: MITO#12 MONUMENT (Source: David del Val).

Figure 5: MITO#12 MONUMENT (Source: David del Val).

Figure 6: MITO#12 MONUMENT (Source: David del Val).

Figure 6: MITO#12 MONUMENT (Source: David del Val).

Figure 7: ‘Opinion divided in Balaguer on whether it is necessary to relocate the statue of Gaspar de Portolá’: Local newspaper debate about the return of the monument (Source: La Mañana 24 April 2023).

Figure 7: ‘Opinion divided in Balaguer on whether it is necessary to relocate the statue of Gaspar de Portolá’: Local newspaper debate about the return of the monument (Source: La Mañana 24 April 2023).

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