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Information, Communication & Society Volume 23, 2020 - Issue 14: Vocations, Visions and Vitalities of Data Analysis
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Articles

Seeing like a surveillance agency? Sensor realism as aesthetic critique of visual data governance

Rune Saugmanna Politics, MAB, Tampere University, Tampere, FinlandCorrespondence[email protected]
ORCID Iconhttps://orcid.org/0000-0002-6936-8845
ORCID Icon,
Frank Möllera Politics, MAB, Tampere University, Tampere, Finland;b Tampere Peace Research Institute, Tampere University, Tampere, Finland
&
Rasmus Bellmerb Tampere Peace Research Institute, Tampere University, Tampere, Finland
Pages 1996-2013 | Received 13 Oct 2019, Accepted 12 May 2020, Published online: 18 Jun 2020

Figures & data

Figure 1. Richard Mosse, Idomeni Camp, Greece, 2016. Digital c-print on metallic paper, 40 × 120 inches (print), 42¼ × 122 × 2 inches (framed). (Photograph: Frank Möller, March 2, 2017. Photograph taken at and reproduced courtesy of Jack Shainman Gallery, New York City).

Figure 1. Richard Mosse, Idomeni Camp, Greece, 2016. Digital c-print on metallic paper, 40 × 120 inches (print), 42¼ × 122 × 2 inches (framed). (Photograph: Frank Möller, March 2, 2017. Photograph taken at and reproduced courtesy of Jack Shainman Gallery, New York City).

Figure 2. Richard Mosse, Idomeni Camp, Greece, 2016. Digital c-print on metallic paper, 40 × 120 inches (print), 42¼ × 122 × 2 inches (framed). Detail. (Photograph: Frank Möller, March 2, 2017. Photograph taken at and reproduced courtesy of Jack Shainman Gallery, New York City).

Figure 2. Richard Mosse, Idomeni Camp, Greece, 2016. Digital c-print on metallic paper, 40 × 120 inches (print), 42¼ × 122 × 2 inches (framed). Detail. (Photograph: Frank Möller, March 2, 2017. Photograph taken at and reproduced courtesy of Jack Shainman Gallery, New York City).

Figure 3. Richard Mosse, Idomeni Camp, Greece, 2016. Digital c-print on metallic paper, 40 × 120 inches (print), 42¼ × 122 × 2 inches (framed). Detail. (Photograph: Frank Möller, March 2, 2017. Photograph taken at and reproduced courtesy of Jack Shainman Gallery, New York City).

Figure 3. Richard Mosse, Idomeni Camp, Greece, 2016. Digital c-print on metallic paper, 40 × 120 inches (print), 42¼ × 122 × 2 inches (framed). Detail. (Photograph: Frank Möller, March 2, 2017. Photograph taken at and reproduced courtesy of Jack Shainman Gallery, New York City).

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