Abstract
This essay compares the unorthodox literary economic theories espoused by Ezra Pound and Georges Bataille in the 1930s and 1940s, and explores the connections that these politically and stylistically divergent writers made between monetary and sexual circulation, wealth and natural growth. Interrogating their respective primitivist approaches to pre-capitalist cultural systems (Pound’s to a medieval arcadia before usury and Bataille’s to ancient Aztec and North American tribal societies), it draws attention to unexpected convergences between the writers’ political and economic ideas. The author demonstrates that Pound – a supporter of Mussolini’s fascist state – was, by the use-value basis of his economics, in many ways closer to Marx than the expressly Marxist Bataille. Although Pound shared Bataille’s preference for pagan and Catholic ‘splendour’ over Protestant thrift, as well as his belief that sexual repression and puritanical fear were contributors to a blockage in the system, his economic approach ultimately abhorred the Nietzschean ‘squander’ celebrated in Bataille’s The Accursed Share. The essay ends by using the two writers to shed light on the literary-philosophical conditions that incubated fascism, as well as the perversely depoliticising and dangerous effects of interpreting the economy according to metaphysical ‘truths’. In so doing it warns against such tempting conflations in the present day.
Acknowledgements
With thanks to Caroline Blinder, Helen Carr, Sarah Garland, Henry Mead and Jamie Stevenson.