Notes
1. Mikala Dwyer in Luke Parker, ‘Interview with Mikala Dwyer’, Mikala Dwyer: The Garden of Half-Life, ed. Luke Parker and Ann Stephen (Sydney: University Art Gallery, The University of Sydney, 2014), 61.
2. Luke Parker, ‘Introduction’, Mikala Dwyer: The Garden of Half-Life, 7; Susan Best, ‘Mineral Nature: Mikala Dwyer Rocks’, Mikala Dwyer: The Garden of Half-Life, 15.
3. Verge Gallery hosted a sister exhibition, Girls at the Tin Sheds: Duplicated, which also drew from the university's collection.
4. Barbara Campbell: ex avibus stretched across two venues. In the Macleay Museum, Campbell teamed watercolours, recording the hues of beaks, necks and legs, with muted specimens from the Macleay collection.
5. Susan Best, ‘Back to Front: The Reparative Portraits of Rosângela Rennó and Fiona Pardington’, Reparative Aesthetics: Rosângela Rennó and Fiona Pardington’, ed. Ann Stephen and Luke Parker (Sydney: University Art Gallery, The University of Sydney, 2015), 6.