822
Views
0
CrossRef citations to date
0
Altmetric
Articles

Queer Curatorial Relations: A Dialogue on Five Recent Projects

, &

Figures & data

Figure 1. Archie Barry, Scaffolding (Preface), 2021, single-channel 4K video, stereo sound, 11 min 20 s. 3D modelling: Savannah Fleming, 3D animation: Ben Jones, Courtesy of the artist. Installation view, Language Is a River, Monash University Museum of Art, Melbourne, 2021. Photo: Christian Capurro.

Figure 1. Archie Barry, Scaffolding (Preface), 2021, single-channel 4K video, stereo sound, 11 min 20 s. 3D modelling: Savannah Fleming, 3D animation: Ben Jones, Courtesy of the artist. Installation view, Language Is a River, Monash University Museum of Art, Melbourne, 2021. Photo: Christian Capurro.

Figure 2. Installation view, Meatus, Australian Centre for Contemporary Art, Melbourne, 2022. Image of sound installation by Frances Barrett, Brian Fuata and Hayley Forward, worm divination (segmented realities), 2020. Photo: Andrew Curtis. Image courtesy of the artists.

Figure 2. Installation view, Meatus, Australian Centre for Contemporary Art, Melbourne, 2022. Image of sound installation by Frances Barrett, Brian Fuata and Hayley Forward, worm divination (segmented realities), 2020. Photo: Andrew Curtis. Image courtesy of the artists.

Figure 3. Seating arrangement for VERS: On Pleasures, Embodiment, Kinships, Fugitivity and Re/Organising, Samstag Museum of Art, Adelaide, 18 June 2022. Photo: Sia Duff.

Figure 3. Seating arrangement for VERS: On Pleasures, Embodiment, Kinships, Fugitivity and Re/Organising, Samstag Museum of Art, Adelaide, 18 June 2022. Photo: Sia Duff.

Figure 4. Chloe Corkran and Athena Thebus, In Dramatic Roles Such as These, 2022, wallpaper, 61 × 1600 cm. Installation view, Screwball, Verge Gallery, Sydney, 2022. Photo: Jessica Maurer.

Figure 4. Chloe Corkran and Athena Thebus, In Dramatic Roles Such as These, 2022, wallpaper, 61 × 1600 cm. Installation view, Screwball, Verge Gallery, Sydney, 2022. Photo: Jessica Maurer.