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The Design Journal
An International Journal for All Aspects of Design
Volume 26, 2023 - Issue 2
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Articles

The relationship between chinese characters and artefacts: A semantics mapping analysis

ORCID Icon, &
Pages 329-350 | Received 18 Jun 2021, Accepted 13 Dec 2021, Published online: 16 Sep 2022

Figures & data

Table 1. Script development of Chinese characters.

Figure 1. Basic diagram of the conceptual blending process.

Figure 1. Basic diagram of the conceptual blending process.

Figure 2. The semantic model of Chinese artefacts.

Figure 2. The semantic model of Chinese artefacts.

Figure 3. The blending process between the Chinese character ‘光’ and the bronze lamp.

Figure 3. The blending process between the Chinese character ‘光’ and the bronze lamp.

Figure 4. The blending process between the Chinese character ‘簠’ and the artefact fu.

Figure 4. The blending process between the Chinese character ‘簠’ and the artefact fu.

Figure 5. The blending process between the Chinese character ‘xing’ and the fifteen-branches lamp of Zhongshan.

Figure 5. The blending process between the Chinese character ‘xing’ and the fifteen-branches lamp of Zhongshan.

Figure 6. A bronze jue from the 11th century B.C. https://www.metmuseum.org/art/collection/search/42172.

Figure 6. A bronze jue from the 11th century B.C. https://www.metmuseum.org/art/collection/search/42172.

Figure 7. The blending process between the Chinese character ‘jue’ and the corresponding artefact.

Figure 7. The blending process between the Chinese character ‘jue’ and the corresponding artefact.

Figure 8. The blending process between the Chinese character ‘tian’ and the fruit plate design.

Figure 8. The blending process between the Chinese character ‘tian’ and the fruit plate design.