https://orcid.org/0000-0002-4732-2256
Figures & data
Figure 1. View of the exhibition’s ground floor and first floor. Photograph by Valia Matsentidou.
Figure 2. Archive Cabinets displaying original material from Economou’s private archive to be discovered by the visitor of the exhibition.
Figure 3. Catalogue of archival material of interior furniture and other architectural elements from Economou’s work and buildings that informed the design of the Archive Cabinets.
Figure 4. A multimedia approach was used to offer to the public new readings of the architectural archive, including films and video interviews.
Figure 5. The exhibition reflected on the current life, function and cultural associations of the inhabitants of the city with its forgotten architecture heritage and public buildings. Photographs of the Nicosia Municipal Market (left) and Wholesale Market (right), by Stefanos Kouratzis.
Figure 6. Immersive reconstruction, based on archival research, of the ‘seaside recreation centre Alasia, located in Varoshia, an example of inaccessible cultural heritage’.
Figure 7. Exploring the capacity of immersive environments for visitor engagement with the life of inaccessible heritage through audio-visual stimuli addressing empathy.
Figure 8. The stage of dialogue that formed the ground floor of the exhibition hosted numerous public events and invited various communities to appropriate it and discuss about the pressing issues of our cities in the context of the thematics on display.
Figure 9. A sketch by Economou discovered in his private archive and illustrates a piece of display furniture originally designed for SPEL building. This archival material was used as a generative idea to create the stage design on the ground floor of the exhibition.
