ABSTRACT
As the only part of human body being in contact with the ground, foot collaborates with spine and plays a crucial role in supporting the weight. Additionally, it is responsible for maintaining balance during standing, walking, and various intricate movements. Any abnormalities in the structure and function of the foot’s arch can significantly impact overall bodily equilibrium and physical well-being. Furthermore, it is important to note that ballet training places heightened demands on both strength and stability within the foot’s arch. Consequently, any deviations from its functional state can lead to more severe acute or chronic injuries during ballet training sessions or performances. Such impairments hinder dancers’ skill development while also affecting their artistic pursuits. This article aims to explore how acquired flatfoot influences daily life as well as ballet training, proposing corresponding preventive measures alongside corrective strategies.
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No potential conflict of interest was reported by the author(s).
Additional information
Notes on contributors
Linlin Yang
Linlin Yang holds a bachelor’s degree in Performance (Ballet Performance and Education) from Beijing Dance Academy, as well as master’s degrees in Contemporary Dance and Classical Dance from Conservatoire à Rayonnement Départemental Marcel Dupré. Following her graduation, she gained valuable experience as a ballet dancer with Compagnie Choregraphique Francois Mauduit La Junior Company in France for 2 years. Currently, she serves as a ballet instructor at Les Saisons Ballet Studio in China, specializing in personalized ballet education for non-professional individuals and the prevention of dance injuries.
Ying He
Ying He, who has earned a Ph.D. in Stomatological Medicine from Sun Yat-sen University, is currently involved in medical practice at Sichuan Provincial People’s Hospital in China. Her research focuses on sports injury rehabilitation.