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Planning Theory & Practice Volume 14, 2013 - Issue 4
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Finding hope in unpromising times: Stories of progressive planning alternatives for a world in crisis/Neoliberal planning is not the only way: mapping the regressive tendencies of planning practice/Can Batlló: Sustaining an insurgent urbanism/Dynamic planning initiated by residents: Implementable plans for the informal built urban fabric of the Palestinian neighbourhoods of East Jerusalem/REDWatch: Monitory democracy as a radical approach to citizen participation in planning/Making space for public ownership: The re-municipalisation of public services through grassroots struggle and local state action/“Neighbourhood inquiry”: For a post-political politics/Looking inwards: Extended family living as an urban consolidation alternative/Grow your own

Libby PorterSenior Lecturer in Human Geography, Monash University, Clayton, Australia
,
Marc Martí-CostaInstitut de Govern i Polítiques Públiques, Universitat Autónoma de Barcelona, Barcelona, SpainView further author information
,
Marc Dalmau TorvàLa Ciutat Invisible, Barcelona, Spain;Observatori d'Antropologia del Conflicte Urbà (OACU)-Universitat de Barcelona, Barcelona, SpainView further author information
,
Efrat Cohen-BarBimkom Planners for Planning Rights, Jerusalem, IsraelView further author information
,
Ayala RonelDavid Azrieli School of Architecture, Tel Aviv University, Tel Aviv, IsraelView further author information
,
Dallas RogersUrban Research Centre, University of Western Sydney, RichmondNew South WalesAustraliaView further author information
,
Andrew CumbersAdam Smith Business School, University of Glasgow, Glasgow, UKView further author information
,
Neil GraySchool of Geographical and Earth Sciences, University of Glasgow, Glasgow, UKView further author information
,
Natascha KlockerDepartment of Human Geography, Australian Centre for Cultural Environmental Research (AUSCCER), University of Wollongong, WollongongNew South WalesAustraliaView further author information
,
Chris GibsonDepartment of Human Geography, Australian Centre for Cultural Environmental Research (AUSCCER), University of Wollongong, WollongongNew South WalesAustraliaView further author information
&
Harmen de HoopView further author information
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Page 529 | Published online: 16 Dec 2013

Figures & data

Figure 1 ‘Hotel’, visual art installation by Harmen de Hoop. Source: Photograph by Harmen de Hoop, used with permission. www.harmendehoop.com.
Figure 1 ‘Hotel’, visual art installation by Harmen de Hoop. Source: Photograph by Harmen de Hoop, used with permission. www.harmendehoop.com.
Figure 1 Block 11, Can Batlló. Source: Photograph by Maria Casado used with permission.
Figure 1 Block 11, Can Batlló. Source: Photograph by Maria Casado used with permission.
Figure 2 The encounter space at Can Batlló. Source: Photo by Maria Casado, used with permission.
Figure 2 The encounter space at Can Batlló. Source: Photo by Maria Casado, used with permission.
Figure 1 Redfern/Waterloo is on the southern edge of “global Sydney”. Source: NSW Government (Citation2013a).
Figure 1 Redfern/Waterloo is on the southern edge of “global Sydney”. Source: NSW Government (Citation2013a).
Figure 2 REDWatch website (see: http://www.redwatch.org.au).
Figure 2 REDWatch website (see: http://www.redwatch.org.au).

Table 1 Multinational withdrawal from the water sector in Latin America between 1999–2007.

Figure 1 Neighbourhood Inquiry at Speirs Locks Cultural Quarter. Source: Photograph by Bechaela Walker, used with permission.
Figure 1 Neighbourhood Inquiry at Speirs Locks Cultural Quarter. Source: Photograph by Bechaela Walker, used with permission.
Figure 2 Neighbourhood Inquiry at Cowcaddens redevelopment, Glasgow. Source: Photograph by Bechaela Walker, used with permission.
Figure 2 Neighbourhood Inquiry at Cowcaddens redevelopment, Glasgow. Source: Photograph by Bechaela Walker, used with permission.
Figure 1 Original installation by Harmen de Hoop. Source: Photograph by Harmen de Hoop, used with permission. www.harmendehoop.com.
Figure 1 Original installation by Harmen de Hoop. Source: Photograph by Harmen de Hoop, used with permission. www.harmendehoop.com.

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