Figures & data
Figure 1. Matthew Barney in Matthew Barney, CREMASTER 3, 2002. Production still ©2002 Matthew Barney. Photo: Chris Winget. Courtesy Gladstone Gallery, New York and Brussels.
![Figure 1. Matthew Barney in Matthew Barney, CREMASTER 3, 2002. Production still ©2002 Matthew Barney. Photo: Chris Winget. Courtesy Gladstone Gallery, New York and Brussels.](/cms/asset/8cb5480e-af76-413c-9cda-e132e270c0be/rjvp_a_1940454_f0001_oc.jpg)
Figure 2. Laura Mullins in Matthew Barney CREMASTER 3, 2002. Production still ©2002 Matthew Barney. Photo: Chris Winget. Courtesy Gladstone Gallery, New York and Brussels.
![Figure 2. Laura Mullins in Matthew Barney CREMASTER 3, 2002. Production still ©2002 Matthew Barney. Photo: Chris Winget. Courtesy Gladstone Gallery, New York and Brussels.](/cms/asset/227bb387-c945-47ee-8ab4-378c9dd89584/rjvp_a_1940454_f0002_oc.jpg)
Figure 3. Lot 222, Vanessa Beecroft, VB43.090.TE (Triptych I) 2000, Digital prints in three parts. 127×129.5 cm; 127×134.6 cm; 127×144.5 cm. Numbered consecutively 1, 2 and 3 on a label affixed to the reverse of the mount of each; numbered of three on a label affixed to the reverse of the mount of the left panel. This work is from an edition of three. Image © and courtesy of Phillips.
![Figure 3. Lot 222, Vanessa Beecroft, VB43.090.TE (Triptych I) 2000, Digital prints in three parts. 127×129.5 cm; 127×134.6 cm; 127×144.5 cm. Numbered consecutively 1, 2 and 3 on a label affixed to the reverse of the mount of each; numbered of three on a label affixed to the reverse of the mount of the left panel. This work is from an edition of three. Image © and courtesy of Phillips.](/cms/asset/25201542-1a40-4b36-a217-980790e2622c/rjvp_a_1940454_f0003_oc.jpg)