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Research Article

Unveiling histories: navigating ideological constructs and cultural memories in the contemporary art of Iran

Figures & data

Figure 1. Behrang Samadzadegan, Depart the World, Meet Me in Istanbul, from the ‘Heading Utopia’ series, 2015, watercolour on grain stain arches paper. 130 × 182 cm.

Figure 1. Behrang Samadzadegan, Depart the World, Meet Me in Istanbul, from the ‘Heading Utopia’ series, 2015, watercolour on grain stain arches paper. 130 × 182 cm.

Figure 2. Azadeh Akhlaghi, Marzieh Ahmadi, Oskuie 26 April 1974, from the ‘By an Eye Witness’ series (2009–12), digital print on photo paper, 110 × 318 cm.

Figure 2. Azadeh Akhlaghi, Marzieh Ahmadi, Oskuie 26 April 1974, from the ‘By an Eye Witness’ series (2009–12), digital print on photo paper, 110 × 318 cm.

Figure 3. Mohammad Ghazali, Lost no. 017, from the ‘Persepolis 2560-2580’ series, 2001–21, analogue photography, gelatine silver print, 13.5 × 20.5 cm.

Figure 3. Mohammad Ghazali, Lost no. 017, from the ‘Persepolis 2560-2580’ series, 2001–21, analogue photography, gelatine silver print, 13.5 × 20.5 cm.