https://orcid.org/0000-0001-9414-5793
Figures & data
Figure 1. Plenary, the first event of the FACP archive research project. Firle, East Sussex, June 2016.
Figure 2. Roger Cutforth installation photograph Information of recent work of Dan Graham, Brighton Polytechnic, Brighton, England 1970 gelatin silver photograph 16.8 × 22.4 cm (image); 18.1 × 22.4 cm (sheet) National Gallery of Victoria.
Figure 3. The Non-Art Project Roger Cutforth 1970/1971 A5 B/W artist’s book, front cover.
Figure 4. Inner pages, The Non-Art Project 1970/1971, artists book, Roger Cutforth (1972).
Figure 5. Wheely Good Artists FACP Degree Show 2015. Lizzy How presented all the job applications she had written and sent in the time leading up to the degree shows, claiming the letters and the process an artwork. Photo by Naomi Salaman.
Figure 6. Wheely Good Artists FACP Degree Show 2015. Amelia Kidwell ‘The walls of this room watch this happen every year, but this year we are the walls, we are the space, and we are watching’. RIP Tilly Sleven. Photo by Naomi Salaman.
Figure 7. Wheely Good Artists FACP Degree Show 2015. Molly Maher, above, offered a performance, illustrated with a flip chart of detailed blow-ups taken around the college from odd vantage points. Hers was a psychogeography of the anxious neoliberal educational subject/object split. In her performance, it was never clear who was talking, was it the institution speaking? Or was it a student trying to work out where the institution began and ended, what it knew and did not know in its newly marketised form?
