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Research Article

‘Something useful in a National sense’: Percy Hennell’s Surgical and Nationalist Colour Photography, 1940–1948

Figures & data

Figure 1. Percy Hennell, Plate 7 and Plate 8 in J. B. Priestley, British Women Go to War (London: Collins Publishers, 1943).

Figure 1. Percy Hennell, Plate 7 and Plate 8 in J. B. Priestley, British Women Go to War (London: Collins Publishers, 1943).

Figure 2. Percy Hennell, Plate 26 and Plate 27 in J. B. Priestley, British Women Go to War (London: Collins Publishers, 1943).

Figure 2. Percy Hennell, Plate 26 and Plate 27 in J. B. Priestley, British Women Go to War (London: Collins Publishers, 1943).

Figure 3. Percy Hennell, BAPRAS/HEN/4/20/1, c. 1940–45, courtesy of the British Association of Plastic, Reconstructive and Aesthetic Surgeons.

Figure 3. Percy Hennell, BAPRAS/HEN/4/20/1, c. 1940–45, courtesy of the British Association of Plastic, Reconstructive and Aesthetic Surgeons.

Figure 4. Percy Hennell, BAPRAS/HEN/4/20/2, c. 1940–45, courtesy of the British Association of Plastic, Reconstructive and Aesthetic Surgeons.

Figure 4. Percy Hennell, BAPRAS/HEN/4/20/2, c. 1940–45, courtesy of the British Association of Plastic, Reconstructive and Aesthetic Surgeons.

Figure 5. Percy Hennell, Plate 20 in Geoffrey Grigson, An English Farmhouse and Its Neighbourhood (London: Max Parrish, 1948).

Figure 5. Percy Hennell, Plate 20 in Geoffrey Grigson, An English Farmhouse and Its Neighbourhood (London: Max Parrish, 1948).