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Research Article

Rethinking verticality through top-down views in drone hobbyist photography

Figures & data

FIGURE 1. Abstract Art (Oyster Farm in Jersey, UK). Photo reproduced with permission of Paul Lakeman.

FIGURE 1. Abstract Art (Oyster Farm in Jersey, UK). Photo reproduced with permission of Paul Lakeman.

FIGURE 2. Abstract Art (Salt Evaporation Ponds in Arusha, Tanzania). Photo reproduced with permission of Maxsim Tarasov.

FIGURE 2. Abstract Art (Salt Evaporation Ponds in Arusha, Tanzania). Photo reproduced with permission of Maxsim Tarasov.

FIGURE 3. Transformation of Mundane (Greenhouses in Chelyabinsk, Russia). Photo reproduced with permission of Maxsim Tarasov.

FIGURE 3. Transformation of Mundane (Greenhouses in Chelyabinsk, Russia). Photo reproduced with permission of Maxsim Tarasov.

FIGURE 4. Transformation of Mundane (Car Park in Togliatti, Russia). Photo reproduced with permission of Maxsim Tarasov.

FIGURE 4. Transformation of Mundane (Car Park in Togliatti, Russia). Photo reproduced with permission of Maxsim Tarasov.

FIGURE 5. Performative Mapping (Taheno Shipwreck, Fraser Island, Australia). Photo reproduced with permission of Alessio Borriero.

FIGURE 5. Performative Mapping (Taheno Shipwreck, Fraser Island, Australia). Photo reproduced with permission of Alessio Borriero.

FIGURE 6. Performative Mapping (Maze of Honor, Granite, California, USA). Photo reproduced with permission of Eric Hanscom.

FIGURE 6. Performative Mapping (Maze of Honor, Granite, California, USA). Photo reproduced with permission of Eric Hanscom.

FIGURE 7. Dronie (Mutare, Zimbabwe). Photo reproduced with permission of Tinashe Mulambo.

FIGURE 7. Dronie (Mutare, Zimbabwe). Photo reproduced with permission of Tinashe Mulambo.

FIGURE 8. Dronie (English Channel). Photo reproduced with permission of Paul Lakeman.

FIGURE 8. Dronie (English Channel). Photo reproduced with permission of Paul Lakeman.