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Articles

Igniting transformational change through applied theatre: Jardim Romano's Floods and Estopô Balaio unleashing an overflow of possibilities

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Pages 102-111 | Received 26 Jul 2023, Accepted 31 Jul 2023, Published online: 08 Aug 2023

Figures & data

Figure 1. (a) Residents were moving to temporary accommodation.Footnote10 (b) Graffiti by Cristiano Ignoto – a local artist of Jardim Romano.

Figure 1. (a) Residents were moving to temporary accommodation.Footnote10 (b) Graffiti by Cristiano Ignoto – a local artist of Jardim Romano.

Figure 2. Play: ‘The City of invisible rivers’ beginning of the show. Retrieved from https://www.youtube.com/watch?v = hlTaADKItm8

Figure 2. Play: ‘The City of invisible rivers’ beginning of the show. Retrieved from https://www.youtube.com/watch?v = hlTaADKItm8

Figure 3. The city of invisible rivers’ – the first year that children officially participated in a scene. Retrieved from https://coletivoEstopôbalaio.com.br/a-cidade-dos-rios-invisiveis

Figure 3. ‘The city of invisible rivers’ – the first year that children officially participated in a scene. Retrieved from https://coletivoEstopôbalaio.com.br/a-cidade-dos-rios-invisiveis

Figure 4. Dihana D'agua – Bruno's character in ‘The city of invisible rivers’ Retrieved from https://coletivoEstopôbalaio.com.br/a-cidade-dos-rios-invisiveis.

Figure 4. Dihana D'agua – Bruno's character in ‘The city of invisible rivers’ – Retrieved from https://coletivoEstopôbalaio.com.br/a-cidade-dos-rios-invisiveis.