Notes
1. J. Macgregor Wise, “Editorial Statement,” Communication and Critical/Cultural Studies 7, no. 1 (2010): 1–2.
2. Bruno Latour, Reassembling the Social: An Introduction to Actor-Network-Theory (Oxford: Oxford University Press, 2005).
3. Bruno Latour, Reassembling the Social: An Introduction to Actor-Network-Theory (Oxford: Oxford University Press, 2005), 171.
4. Bruno Latour, Reassembling the Social: An Introduction to Actor-Network-Theory (Oxford: Oxford University Press, 2005), 175.
5. See J. Macgregor Wise, “Assemblage,” in Gilles Deleuze: Key Concepts, 2nd ed., ed. Charles J. Stivale (Durham, UK: Acumen, 2011), 91–102.
6. See Alexander Galloway and Eugene Thacker, The Exploit: A Theory of Networks (Minneapolis: University of Minnesota Press, 2007).
7. Lawrence Grossberg, Cultural Studies in the Future Tense (Durham, NC: Duke University Press, 2010).
8. Ted Striphas, “Acknowledged Goods: Cultural Studies and the Politics of Academic Journal Publishing,” Communication and Critical/Cultural Studies 7, no. 1 (2010): 4.
9. Diana Coole and Samantha Frost, ed., New Materialisms: Ontology, Agency, and Politics (Durham, NC: Duke University Press, 2010).
10. See Jane Bennett, Vibrant Matter: A Political Ecology of Things (Durham, NC: Duke University Press, 2010).
11. See Ian Bogost, Alien Phenomenology or What It's Like to Be a Thing (Minneapolis: University of Minnesota Press, 2012); Coole and Frost, New Materialisms; Jeremy Packer and Stephen B. Crofts Wiley, ed., Communication Matters: Materialist Approaches to Media, Mobility and Networks (New York: Routledge, 2012); Jussi Parikka, Insect Media: An Archaeology of Animals and Technology (Minneapolis: University of Minnesota Press, 2010); Dominic Pettman, Human Error: Species-Being and Media Machines (Minneapolis: University of Minnesota Press, 2011); and so on.
12. See Adriana de Souza e Silva and Jordan Frith, Mobile Interfaces in Public Spaces: Locational Privacy, Control, and Urban Sociability (New York: Routledge, 2012); Jason Farman, Mobile Interface Theory: Embodied Space and Locative Media (New York: Routledge, 2012); Gerard Goggin and Larissa Hjorth, ed., Mobile Technologies: From Telecommunications to Media (New York: Routledge, 2009); Larissa Hjorth, Mobile Media in the Asia-Pacific: Gender and the Art of Being Mobile (New York: Routledge, 2009); Larissa Hjorth, Jean Burgess, and Ingrid Richardson, ed., Studying Mobile Media: Cultural Technologies, Mobile Communication, and the iPhone (New York: Routledge, 2012); Shaun Moores, Media, Place, and Mobility (Basingstoke, UK: Palgrave Macmillan, 2012); Jeremy Packer, Mobility without Mayhem: Safety, Cars, and Citizenship (Durham, NC: Duke University Press, 2008); and Rowan Wilken and Gerard Goggin, ed., Mobile Technology and Place (New York: Routledge, 2012).
13. Referring, of course, to Raymond Williams's concept of mobile privatization. Raymond Williams, Television: Technology and Cultural Form (Hanover, CT: Wesleyan University Press, 1992).
14. John Urry, Mobilities (Cambridge: Polity, 2007). See also Mimi Sheller and John Urry, “The New Mobilities Paradigm,” Environment and Planning A 38, no. 2 (2006): 207–28; Kevin Hannam, Mimi Sheller, and John Urry, “Editorial: Mobilities, Immobilities and Moorings,” Mobilities 1, no. 1 (2006): 1–22; and Peter Adey, Mobility (New York: Routledge: 2009).