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Feature Articles

Moving Memories: Shifting the Locus of Enunciation in Choreographic Composition

, PhD, CMAORCID Icon, , DTech Drama, CMAORCID Icon & , PhD, CMAORCID Icon

Figures & data

Figure 1. Participant 1 dancing his memoryscape.

Figure 1. Participant 1 dancing his memoryscape.

Figure 2. An image from Memoryscapes (2022) Photographer: Thobekile Shoba.

Figure 2. An image from Memoryscapes (2022) Photographer: Thobekile Shoba.

Table 1. Biographical information of participants involved in the process.

Figure 3. A contract created for the choreographic process where a safe space was agreed on.

Figure 3. A contract created for the choreographic process where a safe space was agreed on.

Figure 4. Participants’ reflective paintings and drawings on Naming me.

Figure 4. Participants’ reflective paintings and drawings on Naming me.

Figure 5. Participants’ reflective paintings and drawings on inviting personal histories and bodystories into the room.

Figure 5. Participants’ reflective paintings and drawings on inviting personal histories and bodystories into the room.

Figure 6. A participant dancing his memoryscape. Photographer: Thobekile Shoba.

Figure 6. A participant dancing his memoryscape. Photographer: Thobekile Shoba.

Figure 7. Participant 2ʹs reflective cartographic statement.

Figure 7. Participant 2ʹs reflective cartographic statement.

Figure 8. Participant 1ʹs reflective cartographic statement.

Figure 8. Participant 1ʹs reflective cartographic statement.

Figure 9. Participant 8ʹs reflective cartographic statement.

Figure 9. Participant 8ʹs reflective cartographic statement.